The Phoenix Players Theatre Group was founded by incarcerated theatre artists located in a maximum-security prison with the aim of creating a space where they can be witnessed in order to initiate a process of personal, cultural, and sociopolitical transformation. This article integrates research from trauma theory with theatre and social justice…

In this issue of the Research Review, the author focuses on the importance of developing learning environments emphasizing the Arts. First, the author reviews a study concerning professional development and "artist-teachers", which is of particular interest since most readers of this journal are involved in various educational…

In this article, the author describes a collaboration between The Actors' Fund of America and 12 schools in the South Bronx. The true purpose of the STARRR (Substitute Teachers for the Arts and 3Rs) program was to establish relationships between artists and schools. Three years later, the author sees the results of those relationships: so many…

It is generally known that professional development for Teaching Artists varies widely. Offerings range from the most basic of orientations to a sponsoring organization's procedures and expectations, to more sustained experiences that may address school culture, principles of youth development, models of arts education, learning standards,…

This article presents contributions from teaching artists about Teaching Artist professional development across the country in theater programs and through museum programs. In the process, the authors have come to realize how much they still have to learn about what is available (how badly they need a funded research project to inventory the state…

The mission of this article is to introduce just a few of the organizations that are expanding the teaching artist field by addressing the artistic, educational, and business needs of today's TA head on. For some organizations, supporting TAs is a facet of what they do; for others, it is all they do. Staying true to their creative nature, each…

Few universities or colleges offer courses in the Teaching Arts; even fewer offer formal degree programs in the field. What alternative models already exist for the training of Teaching Artists? And as educators build new models, what should be the core content, and with what scope and structure? This article explores these questions through a…

In this Research Review, various models of research found in a recent publication from ArtsConnection, New York, are discussed. The researchers for the first study look at research from each person's unique perspective and value the descriptive and analytical process of inquiry. The researchers in the second study focus on research as a heuristic…

As schools and cultural organizations face pressure to provide arts programs that meet academic standards, artist residency models have been evolving to become more in-depth and long-term. This trend, supported by schools and funding sources from both the public and private sectors, has affected Teaching Artists' (TAs) practice significantly.…

During Winter/Spring of 2004, Danielle Cione, a 5th grade classroom teacher at New York City's PS 199, and Tanya Witek, a Teaching Artist for the New York Philharmonic School Partnership Program, planned and implemented a series of lessons exploring the relationship of the Writer's Workshop as taught in the schools and the process used by…