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Daniel, Raichvarg – Science & Education, 2007
During the 18th and 19th centuries, numerous "entrepreneurs de spectacles scientifiques"--a new category of "stall-keepers"--travelled around France, displaying their scientific shows to the public. They turned out to be physics demonstrators, magicians, mechanical engineers or curators of museums of anatomy. A general survey…
Descriptors: Science Education, Popular Culture, Current Events, History
Maniquis, Robert M. – Humanities, 1989
Describes a program dealing with films depicting the French Revolution sponsored by the University of California Los Angeles. Emphasizes lectures and a colloquium discussing the ways in which films can transform common political ideas of the moment into popular memory of the past. Examines several films included in this national film…
Descriptors: Art, European History, Film Study, Films

Rodney, William – Canadian Social Studies, 1994
Asserts that the writers and producers of the Canadian Broadcasting Corporation's documentary, "The Valour and the Horror," failed to assess Canadian Air Force actions in light of Allied war aims. Argues that the documentary series distorted the era and produced a false view of history. Gives specific examples of these claims. (CFR)
Descriptors: Armed Forces, Bias, Broadcast Industry, Documentaries

Roy, R. H. – Canadian Social Studies, 1994
Asserts that the writers and producers of the television documentary, "The Valour and the Horror," provided a false impression of an event to fit preconceived and erroneous interpretations of history. Points out specific examples of inaccurate historical presentations and provides contradictory historical interpretations. (CFR)
Descriptors: Armed Forces, Bias, Broadcast Industry, Documentaries