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Salverson, Julie – Research in Drama Education, 2023
A meditation on drama practice from an artist in Canada. My university students are preoccupied with damage and trauma. There are paralyzing obstacles to working across differences that were useful for a time but no longer serve a robust solidarity. The stories we collect, tell and re-tell ourselves to prepare for a 'never again' are stifled if…
Descriptors: Foreign Countries, College Students, Trauma, Theater Arts
Levesque, Lauren Michelle; Renarhd, Camille; Clendenin, Josh – Research in Drama Education, 2023
This article brings together interdisciplinary perspectives from three artist-scholars. More specifically, we examine the impact of performances of listening and care in works addressing connections to personal identity, trauma, and violence and the anxieties that these can provoke in our roles as artists, researchers, and pedagogues. We ask: how…
Descriptors: Interdisciplinary Approach, Listening, Caring, Self Concept
Chandler, Eliza; Changfoot, Nadine; Rice, Carla; LaMarre, Andrea; Mykitiuk, Roxanne – Review of Education, Pedagogy & Cultural Studies, 2018
This article embraces the developing discourse around Deaf and disability art and uses it to recognize and discuss the art produced out of Project Re·Vision's (Re·Vision) arts-based research workshops--multimedia storytelling workshops and theater workshops with D/deaf and disabled people--and think through the role these workshops played in the…
Descriptors: Foreign Countries, Deafness, Disabilities, Art Education
Kandil, Yasmine – Research in Drama Education, 2016
Personal stories have been utilised in a variety of ways in Applied Theatre practices. The author problematises their use when the teller's safety is at stake within a given context. Inspired by neuro-anatomist Jill Bolte-Taylor's process of enlightenment through observing her stroke from the inside out, the author uses her personal experience of…
Descriptors: Drama, Drama Workshops, Personal Narratives, Story Telling
Dénommé-Welch, Spy; Montero, M. Kristiina – Journal of Language and Literacy Education, 2014
Where does the work of de/colonizing preservice teacher education begin? Aboriginal children's literature? Storytelling and theatrical performance? Or, with a paradigm shift? This article takes up some of these questions and challenges, old and new, and begins to problematize these deeper layers. In this article, the authors explore the…
Descriptors: Preservice Teacher Education, Indigenous Knowledge, Story Telling, Theater Arts
Mundy, Amrit; Chan, Judy – Collected Essays on Learning and Teaching, 2013
In the 2011-2012 academic year, the Organizational Development and Learning unit and the Centre for Teaching, Learning and Technology at the University of British Columbia co-developed an interactive theatre project, Conflict Theatre, to engage in discussion around conflict with our audience and to allow us to explore, engage with, and build…
Descriptors: Conflict, Staff Development, Theater Arts, Essays
Vettraino, Elinor; Linds, Warren; Goulet, Linda – Journal of Transformative Education, 2013
This article explores the arts' potential to transform the relationships between students and teachers, so that education becomes an "as if" world, where education is an act of social justice. Interweaving themes from the children's book "Click Clack Moo, Cows that Type" with theories of transformative pedagogy and their own…
Descriptors: Transformative Learning, Teacher Student Relationship, Social Justice, Childrens Literature
Reddy, Ida, Ed. – 1972
The library programs for children discussed in this report include: a suggested program for an art club, creative drama, film programs, hobby times, music programs, puppet programs, storytelling, and programs for special days and special events. A list of resource materials to support these programs is also included. (Author/NH)
Descriptors: Art Activities, Books, Children, Childrens Literature
Lee, Jo-Anne; De Finney, Sandrina – Child & Youth Services, 2004
This chapter examines the use of popular theatre as a methodology to investigate racialized minority girls' processes of identity formation and experiences of exclusion and belonging in predominantly white, urban Victoria, B.C., Canada. The article draws on transnational feminist frameworks that emphasize intersectionality and locality to…
Descriptors: Females, Foreign Countries, Theater Arts, Minority Groups