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Showing 16 to 30 of 46 results Save | Export
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Henderson, Lynette K. – Art Education, 2013
A primary goal of substantive art education is to communicate visually--to decipher art for meaning and to construct meaning through images and objects. Strategies available to engage students are the interdisciplinary activities found in performance, visual and written forms of creative expression, and related disciplines such as ethnography,…
Descriptors: Art Education, Visual Stimuli, Communication Strategies, Freehand Drawing
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Mahoney, Ellen – SchoolArts: The Art Education Magazine for Teachers, 2011
The history of the photomontage spans artistic movements and political history. In the early twentieth century, Dada artists used the new media of mass-produced photographs to assemble collages that reflected their expression of the absurd. Russian Constructivists utilized their access to photographs and ability to quickly distribute completed…
Descriptors: Studio Art, Photography, Visual Aids, Art Products
Herz, Rebecca Shulman – Teachers College Press, 2010
This book details the Guggenheim Museum's classroom-tested, inquiry-based approach to learning. This user-friendly guide provides teachers (grades 2-8) with strategies and resources for investigating art to enhance student learning across the curriculum. "For the classroom teacher", Art Investigation provides an exciting way to study contemporary…
Descriptors: Art Education, Museums, Inquiry, Active Learning
Speelman, Melissa – Arts & Activities, 2012
A great start for the semester, this pinwheel project provides a good dose of art history, and a variety of media and techniques. It also teaches students how to clean up and store things properly. Five artists are introduced, each with a different art medium and technique. In this activity, students are expected to: (1) study works by five famous…
Descriptors: Studio Art, Art Activities, Artists, Art History
Skophammer, Karen – Arts & Activities, 2011
Creativity--where does it come from? When nurturing creativity, it is necessary to have an open mind. By nurturing a creative mind, one finds that artists' ideas flow freely, so students need to look deeper into the artworks, the artists' lives, and what was behind the inspiration for the work. Imagining themselves as one of the artists they have…
Descriptors: Creativity, Artists, Art History, Studio Art
Carlson, Pam – Arts & Activities, 2010
"Art history? Ugh!" is often the response of high-school visual arts students when faced with an art-history assignment. With the exception of very few students who might have an affection for the historical aspects of art, getting art history into the hearts and minds of high-school students can be a challenge. In this article, the author shares…
Descriptors: Art History, Visual Arts, High School Students, Freehand Drawing
Skophammer, Karen – Arts & Activities, 2010
Plasticine clay is a bendable material that is easily manipulated by students of all ages. It is a great material to work with because it does not dry out from day to day, so high-school students can work on an extended project. They do not have to worry about the clay drying and cracking, and the entire work of art does not have to be completed…
Descriptors: Art Activities, Studio Art, Art Products, Color
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Rosenfeld, Malke; Rufo, David; Makol, Suzanne; Greco, Ardina; Flores, Chio; Redman, Jeff – Teaching Artist Journal, 2014
The last two sections (EJ1039315 and EJ1039319) presented stories about specific moments or lessons. Also, situations infused with complexity where the writers had to toggle back and forth between providing the larger context and the details that support readers' understanding of that big picture were presented. In this section each story is…
Descriptors: Art Education, Writing (Composition), Creativity, Studio Art
Pandey, Annette H. – Arts & Activities, 2010
The author could have chosen any ancient symbolic language, such as Egyptian or Pre-Columbian, but being from Denmark, she developed a unit that would introduce American students to artwork familiar to northern Europeans. Looking at examples of ancient art from Denmark and Sweden, students were to think about the use of symbols in ancient time and…
Descriptors: Art Activities, Studio Art, Visual Arts, Graphic Arts
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Stephens, Pamela; Walkup, Nancy – Art Education, 2011
Many of the paintings of 20th-century American artist Philip C. Curtis defy clear classification. Curtis's artworks often show dreamlike and fantastical qualities and are therefore frequently pigeonholed as Surrealistic. While this classification is not completely erroneous, it fails to acknowledge some subtle differences between Curtis's artwork…
Descriptors: Artists, Painting (Visual Arts), Art Products, Art Expression
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Lott, Debra – SchoolArts: The Art Education Magazine for Teachers, 2010
Louisville, Kentucky is an eclectic town of architectural styles from Greek revival to Renaissance Revival to Post modernism, not to mention an entire street dedicated to artsy mom and pop stores. Louisville is second only to the New York City Soho district in terms of the number of its cast-iron facades. Many of these building's fronts have…
Descriptors: Architecture, Studio Art, Art Activities, Municipalities
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Green, Denise; Mitchell, Timothy; Taylor, Patrick – Improving Schools, 2011
Mentoring in classrooms allows teachers the opportunity to be motivational tools in the lives of students while operating as role models. The current research shows that mentoring in the art classroom provides stimulation and the momentum to students who are less motivated with creative assignments. The first part of this study looks at the…
Descriptors: Mentors, Studio Art, Elementary School Students, High School Students
Sartorius, Tara Cady – Arts & Activities, 2011
When artists are inspired to travel in Europe to study art and history of the Western world, Italy is a good place to start. With its ancient architecture, rich cultural heritage, and superb works of art, Italy has been the quintessential center of Western art history for centuries. It was the good fortune of Alabama-based artist and teacher…
Descriptors: Art History, Foreign Countries, Artists, Freehand Drawing
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Cempellin, Leda – Journal of Effective Teaching, 2012
This article focuses on the structure, challenges, and outcomes of a service-learning project experimented by an art historian in an innovative special topics course Museum Experience, cross-listed with an Honors art appreciation course. The discussion includes: creating a new course content planned according to a multidisciplinary perspective…
Descriptors: Service Learning, Arts Centers, Museums, Honors Curriculum
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Pellegrino, Linda – SchoolArts: The Art Education Magazine for Teachers, 2009
Art history can be a little dry at times, but the author is always trying to incorporate new ways of teaching it. In this article, she describes a project in which students were to create a place setting out of clay that had to be unified through a famous artist's style. This place setting had to consist of at least five pieces (dinner plate, cup…
Descriptors: Art History, Artists, Painting (Visual Arts), Art Activities
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