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Dennis P. Giotta; Nathan B. Kruse – Contributions to Music Education, 2022
The purpose of this instrumental case study was to chronicle high school students' creative experiences in a songwriting course. Ten students in Grades 10-12 composed original songs, learned to accompany themselves on keyboard and 'ukulele, and performed their songs in class and at a coffee shop. Data sources consisted of classroom observations,…
Descriptors: High School Students, Creative Activities, Singing, Writing (Composition)
McPhail, Graham; Tibbles, Sally; Cornish, Mary – British Journal of Music Education, 2023
The purpose of this paper is to discuss the impact of the Curriculum Design Coherence Model (CDC Model -- Rata, 2019) on the design practice of two music teachers in a middle school music class in New Zealand. The CDC Model proposes that deep learning first requires deep design coherence. This coherence is generated by three interrelated design…
Descriptors: Curriculum Design, Music Teachers, Music Education, Middle School Teachers
Kratus, John – Music Educators Journal, 2019
The future of American music education may be found in its past--a time when music teachers instilled lifelong amateur music-making in their students. There are differences between amateur and professional musicianship, and the focus of American music education shifted from amateurism to semiprofessionalism in the mid-twentieth century. An…
Descriptors: Music, Music Education, Music Teachers, Singing
Yildiz, Filiz; Türkmen, Ugur – International Journal of Curriculum and Instruction, 2021
The solfege course, which is carried out in conservatories where western music is taught in Turkey, covers solfege, theory, dictation and ear training studies in terms of content. Solfege course, which contributes greatly to the development of basic music knowledge and skills of students, also forms the infrastructure of other practical courses.…
Descriptors: Foreign Countries, Music Education, Music Theory, Music Techniques
Bylica, Kelly; Rathgeber, Jesse – Music Educators Journal, 2023
Feedback plays an essential role in music education, helping individuals learn to consider creative works from multiple perspectives. In this article, we explore the Critical Response Process, a four-step process for engaging with artistic works in progress. Founded on the principle that both artists and responders play active roles in feedback,…
Descriptors: Music Education, Feedback (Response), Teaching Methods, Dialogs (Language)
VanWeelden, Kimberly; Davis, Virginia Wayman; Singletary, Laura – General Music Today, 2019
Secondary general music is hard to define. For some, this denotes an accelerated version of elementary general music or a decelerated version of a college music appreciation course. Others view this as any nontraditional ensemble geared for middle or high school students, such as guitar, keyboard, or steel pans. Still, for others, secondary…
Descriptors: Music, Music Education, Secondary School Students, Musical Instruments
Hrebik, John Ryan – CEA Forum, 2019
In this article, the author discusses composition studies by examining how incorporating "songwriting" into a first-year writing course enables students to begin expressing their own ideas/perspectives, while also developing the ability to create the concise, detailed texts associated with academic writing. The discussion offers a…
Descriptors: Singing, Musical Composition, Writing Instruction, Introductory Courses
Arbuthnott, Katherine D.; Sutter, Glenn C. – Environmental Education Research, 2019
We conducted two field studies to examine whether songwriting retreats held in a natural setting would increase nature connectedness, as well as improve emotional well-being and performance on a creative reasoning task. In the first study, high school students took part in songwriting instruction either in their school or at a national wildlife…
Descriptors: High School Students, Adults, Environmental Education, Musical Composition
Patrick K. Cooper – ProQuest LLC, 2021
Social cognitive theory was developed to explain how individuals learn, in part, by witnessing the behavior of others. Self-efficacy is a construct within social cognitive theory which indicates the beliefs that an individual can be successful at a task under specific situational demands. The sources of self-efficacy include self-evaluating past…
Descriptors: Music, Singing, Musical Composition, Social Cognition
Jordan, Robert C. – Music Educators Journal, 2022
This article presents a field-tested approach for integrating music arranging into middle and high school music ensembles. This project-based unit of study builds on scholarship in informal music learning and social constructivism. Reflections from former high school students who participated in the project help illuminate these connections. The…
Descriptors: Music Education, Middle School Students, High School Students, Student Attitudes
Ward, Sarah J.; Price, Rebecca M.; Davis, Katie; Crowther, Gregory J. – International Journal of Science Education, Part B: Communication and Public Engagement, 2018
One STEAM (STEM + Arts) strategy is to supplement traditional STEM instruction with music. Using music could provide the dual benefits of (1) making STEM content more accessible and (2) enhancing students' engagement in the learning process. Here we explore the extent to which music-oriented high school students achieve these two benefits when…
Descriptors: STEM Education, Art Education, Music Education, Singing
Marciano, Joanne E.; Watson, Vaughn W. M.; Beymer, Alecia; Deroo, Matthew R. – Journal of Adolescent & Adult Literacy, 2020
The authors examined how middle and high school students participating in a literacy-and-songwriting initiative in Detroit, Michigan, experienced moments of possibility that supported the youth in envisioning themselves as college bound. The authors explain how they drew from culturally relevant and sustaining educational approaches to design…
Descriptors: College Readiness, Singing, Musical Composition, Middle School Students
Deroo, Matthew R.; Watson, Vaughn W. M. – Journal of Literacy Research, 2020
This qualitative study, based on data from an ongoing after-school literacy and songwriting initiative, examines the multiliteracy practices of Noriah Rose and Koral, Black adolescent girls, and their socially situated meaning-making and sharing about loss. Specifically, we asked, "In what ways do youth grapple with complicated meanings of…
Descriptors: After School Programs, Literacy Education, Singing, Musical Composition
Pendergast, Seth; Robinson, Nicole R. – Journal of Research in Music Education, 2020
This study was an investigation of middle and high school students' preferences for various music learning conditions and secondary music course offerings. The stratified random sample included students who were and were not enrolled in school music classes (N = 827). Participants represented secondary school music students (n = 369), students who…
Descriptors: Student Attitudes, Preferences, Music Education, Middle School Students
De Los Ríos, Cati V.; Seltzer, Kate; Molina, Arturo – Applied Linguistics, 2021
Changing demography in the Southwest USA has shifted the racial compositions of many neighborhoods that were once predominantly African American to majority Latinx immigrant communities (Orfield and Frankenberg 2014). Today, it's common for these two youth communities to learn side-by-side in urban and suburban classrooms where they are often…
Descriptors: Racial Composition, Geographic Regions, African American Students, Hispanic American Students
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