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Manifold, Marjorie Cohee, Ed.; Willis, Steve Ed.; Zimmerman, Enid, Ed. – National Art Education Association, 2016
Globalization is blurring the lines between once clearly defined groups of people, making cultural sensitivity more important than ever. Culturally sensitive art education can cultivate the ability for students to empathize with and care about others, but until now, few guidelines have existed to help art educators bring together those from…
Descriptors: Art Education, Cultural Relevance, Cultural Awareness, Culturally Relevant Education
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Kokko, Sirpa; Dillon, Patrick – International Journal of Technology and Design Education, 2011
This paper explores relationships between crafts, craft education and cultural heritage as reflected in the individual experiences and collective values of fifteen female university students of different nationalities. The students (all trainee teachers) were following a course in crafts and craft education as part of an International Study…
Descriptors: Foreign Countries, Handicrafts, Group Activities, Females
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Freedman, Kerry; Heijnen, Emiel; Kallio-Tavin, Mira; Karpati, Andrea; Papp, Laszlo – Studies in Art Education: A Journal of Issues and Research in Art Education, 2013
This article is the report of a large-scale, international research project involving focus group interviews of adolescent and young adult members of a variety of self-initiated visual culture groups in five urban areas (Amsterdam, Budapest, Chicago, Helsinki, and Hong Kong). Each group was established by young people around their interests in the…
Descriptors: Informal Education, Art Education, Art Activities, Learning Experience
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Al-Amri, Mohammed – Journal of Instructional Pedagogies, 2010
Discipline-Based Art Education (DBAE), a theory developed in the USA, has been influential but also used in Art Education institutions world-wide. One of its stated goals was to develop the quality of teaching art education. Today, it is used as a theory for identifying and assessing good practices in the field of Art Education. The purpose of…
Descriptors: Foreign Countries, Art Education, Higher Education, Studio Art
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Hubbard, Kathy – Art Education, 2010
In this article, the author describes how high school and university students in Georgia and members of a small weaving pueblo in Oaxaca, Mexico, collaborated in designing and creating a mural in the central market ("mercado") of the pueblo. A number of lessons emerged from this multi-cultural collaboration. First they learned that using…
Descriptors: Foreign Countries, Painting (Visual Arts), Cooperation, High School Students
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Apps, Linda; Mamchur, Carolyn – International Journal of Art & Design Education, 2009
The task of writing about the process of making and contextualising art can be overwhelming for some graduate students. While the challenge may be due in part to limited time and attention to the practice of writing, in a practice-based arts thesis there is a deeper issue: how the visual and written components are attended to in a manner that…
Descriptors: Graduate Students, Graduate Study, Creativity, Art Education
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de La Harpe, Barbara; Peterson, J. Fiona; Frankham, Noel; Zehner, Robert; Neale, Douglas; Musgrave, Elizabeth; McDermott, Ruth – International Journal of Art & Design Education, 2009
What can be learned about assessment from what educators in the creative practices focus their studio publications on? What should form the focus of assessment in architecture, art and design studios? In this article we draw on 118 journal articles on studio published over the last decade in three disciplines; architecture, art and design to…
Descriptors: Art Education, Architectural Education, Design, Studio Art
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Lin, Peng-Chun; Hou, Huei-Tse; Wang, Shu-Ming; Chang, Kuo-En – Computers & Education, 2013
In recent years, social networking services (SNSs), for example, Facebook, have shown exponential growth in their number of users. Witnessing the popularity of these SNSs, educational researchers have also explored the potential educational value of using SNSs. Despite the few studies that have investigated learners' attitudes toward and the…
Descriptors: Foreign Countries, Student Projects, Active Learning, Student Behavior
Di Toro, Barbara – ProQuest LLC, 2009
The purpose of "Non-credit community arts programs: A comparative case study of three programs within research universities" is to examine the perceptions of the various stakeholders of non-credit community arts programs to determine the perceived benefits received by all stakeholders from the non-credit program, the university, and its…
Descriptors: Art Education, Noncredit Courses, Community Programs, Comparative Analysis
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Medina, Yolanda – Penn GSE Perspectives on Urban Education, 2009
The aim of this article is to bring attention to an important connection between art education programs and the development of social justice practices in K-16 classrooms. This article is organized into three sections. The first is an analysis of the hierarchical and unilateral approach to education that urban students experience throughout their…
Descriptors: Social Justice, Urban Schools, Art Education, Social Change
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Walker, Sydney – Studies in Art Education: A Journal of Issues and Research in Art Education, 2009
Drawing upon Lacanian psychoanalytic theory, neuroscience brain research, and the practices of contemporary artists Ann Hamilton, Jasper Johns, Elizabeth Murray, and Oliver Herring, this article argues for the relevance of conscious and unconscious knowledge in artistic practice. Parallels drawn between Lacanian psychoanalytic clinical practice…
Descriptors: Artists, Art, Methods, Cognitive Science
Wolf Bordonaro, Gaelynn P.; Blake, Ann; Corrington, Deborah; Fanders, Tegan; Morley, Lauren – Arts & Activities, 2009
Shrinky Dinks[R] are a plastic-sheet material that shrinks, hardens and thickens when heated in a traditional or toaster oven. The material was a favorite of generations, but many contemporary students and professionals in art have never had the opportunity to play with the unique media. This article discusses Shrinky Dinks and the importance of…
Descriptors: Art Materials, Mathematical Concepts, Interdisciplinary Approach, Graduate Students
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Janet, Jeff; Miles, Melissa – International Journal of Art & Design Education, 2009
ARTEMIS (Art Educational Multiplayer Interactive Space) is an online multi-user virtual environment that is designed around the objects, artefacts, philosophies, personalities and critical discourses of the histories and theories of art and design. Conceived as a means of reinvigorating art history and theory education in the digital age, ARTEMIS…
Descriptors: Art History, Art Education, Theories, Design
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McCormick, Michael J. – Journal of Leadership Education, 2009
Taking the perspective that leadership education is similar to art education created a bridge connecting the leadership education literature with the large and rich body of literature on art education and art history. A survey of the more prominent Renaissance art academies was employed to illuminate the education practices of that extraordinary…
Descriptors: Art Education, Leadership Training, Educational History, Educational Practices
Borders, Max – John William Pope Center for Higher Education Policy (NJ1), 2009
The University of North Carolina School of the Arts (UNCSA), located in Winston-Salem, North Carolina, is highly unusual. A component of the University of North Carolina system, it is "dedicated entirely to the professional training of students possessing talents in the performing, visual and moving image arts." This paper addresses the…
Descriptors: Public Colleges, Public Schools, High Schools, Art Education
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