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Cloete, Nicola; Dinesh, Nandita; Hazou, Rand T.; Matchett, Sara – Research in Drama Education, 2015
"E(Lab)orating Performance" is a transnational collaborative teaching and learning project involving Massey University (New Zealand), University of Cape Town (South Africa), UWC Mahindra College (India), and University of the Witwatersrand (South Africa). The project was devised to facilitate creative engagements between students and…
Descriptors: International Cooperation, International Programs, Theater Arts, Drama
Seda, Owen; Chivandikwa, Nehemiah – Research in Drama Education, 2014
One of the central tenets in applied theatre is the ability to confront issues of "power" and "powerlessness." Indeed, success or lack thereof in applied theatre projects is often adjudged against the ability or the extent to which these projects are, or have been able to "empower" the "powerless." In this…
Descriptors: Power Structure, Theater Arts, Universities, Facilitators (Individuals)
Haddon, Elizabeth – British Journal of Music Education, 2014
This article contributes to research on music masterclasses through examining learning through observation. It investigates how students are learning as observers in this context; whether and how they will transfer their masterclass learning to their own instrumental/vocal development, and whether they have discussed learning through observation.…
Descriptors: Observational Learning, Student Attitudes, Program Implementation, College Students
Minor, Denise – Hispania, 2016
This study examines the impact that membership in a Spanish language theater and poetry troupe had upon a group of Mexican and Chicano university students in terms of the development of academic identities, feelings of belonging, connections with friends and family, and other factors that correlate with academic perseverance. Also examined was the…
Descriptors: Mexican Americans, Mexicans, College Students, Identification (Psychology)
Meskin, Tamar; van der Walt, Tanya – Perspectives in Education, 2014
This article interrogates the connections between the self-study research methodology and the making of a piece of theatre, and explores ways in which self-study can offer a new arts-based research paradigm for theatre-makers. There are a number of useful parallels to be explored between the self-study project and structures of drama and…
Descriptors: Self Evaluation (Individuals), Drama, Theater Arts, Research Methodology
Thomson, Paula; Jaque, S. Victoria – Roeper Review, 2016
Overexcitability (OE) and optimal flow are variables shared by talented individuals. This study demonstrated that the dancer (n = 86) and opera singer (n = 61) groups shared higher OE profiles compared to the athlete group (n = 50). Two self-report instruments assessed flow (global and subscales) and the five OE dimensions. All groups endorsed…
Descriptors: Talent, Individual Characteristics, Artists, Theater Arts
Weltsek, Gustave J. – Arts Education Policy Review, 2019
This piece presents a theoretical exploration of the potential for the creation of policy that would inform the inclusion of arts and particularly theater courses in all community colleges. In April 2017, Fong et al. released a comprehensive meta-analysis that explored the relationship between psychosocial factors of self-perception and motivation…
Descriptors: Theater Arts, Educational Policy, Community Colleges, Meta Analysis
Guidelines and Criteria to Assess Singing and Music Training in Baccalaureate Music Theater Programs
Fleming-DeBerger, Rachelle – ProQuest LLC, 2011
Within the last twenty years there have been a growing number of prospective students interested in pursuing musical theater (MT) training in colleges and universities throughout the United States. To meet this demand, the number of schools offering baccalaureate MT degrees has also grown. However, information on how to assess the music and…
Descriptors: Music, Theaters, Singing, Undergraduate Students
McMahon, Sarah; Winter, Samantha C.; Palmer, Jane E.; Postmus, Judy L.; Peterson, N. Andrew; Zucker, Sharon; Koenick, RuthAnne – Health Education Research, 2015
This article reports findings from a longitudinal, experimental evaluation of a peer education theater program, Students Challenging Realities and Educating Against Myths (SCREAM) Theater. This study examines the impact of SCREAM Theater on a range of bystander-related outcomes (i.e. bystander intentions, bystander efficacy, perception of friend…
Descriptors: Intervention, Peer Teaching, Longitudinal Studies, Theater Arts
Barbosa, Perla De Oliveira – ProQuest LLC, 2018
The public education system in the U.S. has been under assault with the latest neoliberal education reforms. Those reforms are characterized by their antidemocratic and homogenizing assessment system, which reinforces a banking model of education. Such model goes against teachers and teaching, linguistic and cultural diversity and bilingual…
Descriptors: Bilingual Education, English (Second Language), Second Language Learning, Transformative Learning
Albert, Daniel J. – Arts Education Policy Review, 2016
Media arts has been familiar to many through television, film, and digital graphics, and often appears as an extension of the four traditional arts disciplines: music, arts, theatre, and dance. As media arts continues to acquire its own unique identity, particularly through technological means, it has been included as a stand-alone discipline in…
Descriptors: Interviews, Art Education, Elementary Secondary Education, Teacher Education Curriculum
Parker, Catherine L. – ProQuest LLC, 2014
The Churches of Christ, a body of Christian believers descending from the nineteenth century American Restoration Movement, have a well-documented history of establishing and supporting liberal arts colleges and universities. This study of theatre programs at three of these institutions--Lipscomb University, Pepperdine University, and York…
Descriptors: Churches, Theater Arts, Mixed Methods Research, Case Studies
Carneiro, Maria – Arts and Humanities in Higher Education: An International Journal of Theory, Research and Practice, 2013
This article reflects my journey as a performing arts student and intern both in Portugal and abroad. It is not intended as a personal journal, but rather a reflection and an aftermath comment on my experiences and learning processes. First it provides a context regarding my university education in a Southern European country, against a previous…
Descriptors: Theater Arts, Internship Programs, Student Experience, Foreign Countries
O’Grady, Alice; Kill, Rebekka – Arts and Humanities in Higher Education: An International Journal of Theory, Research and Practice, 2013
This article outlines the activities of the research network "Festival Performance as a State of Encounter", which was funded by the Arts and Humanities Research Council as part of the Beyond Text strategic programme. The network was formulated in 2008, and a range of different events were organized over the course of two years to…
Descriptors: Research, Networks, Performance, Music Activities
Mayer, Jennifer – portal: Libraries and the Academy, 2015
The intent of this case study was to gain insight into the information needs and research behaviors of upper-division performing arts students, and how to best address those needs. This article presents findings from focus group interviews of thirty music, dance, and theater majors at the University of Wyoming in Laramie. The data revealed several…
Descriptors: Theater Arts, Case Studies, Focus Groups, Interviews