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Skophammer, Karen – Arts & Activities, 2011
Creativity--where does it come from? When nurturing creativity, it is necessary to have an open mind. By nurturing a creative mind, one finds that artists' ideas flow freely, so students need to look deeper into the artworks, the artists' lives, and what was behind the inspiration for the work. Imagining themselves as one of the artists they have…
Descriptors: Creativity, Artists, Art History, Studio Art
Ciminero, Sandra Elser – Arts & Activities, 2012
To celebrate a milestone in eighth-graders' lives--leaving middle school and moving on to high school--the author assigns them the "Coming of Age" project, which examines the big idea of identity and promotes the move from self-reflection to self-expression. The project also includes writing components that correspond to each of the nine…
Descriptors: Studio Art, Art Activities, Middle School Students, Student Projects
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Lovin, Elizabeth; Lambeth, Dawn T. – Journal on School Educational Technology, 2015
The purpose of this research was to explore the impact of an online-learning component incorporating peer discussion groups on art achievement, digital literacy practice, student engagement, and student attitude of an eighth-grade visual arts classroom. Participants included 30 students in two 8th-grade art classes. Students in one class received…
Descriptors: Grade 8, Influence of Technology, Art Activities, Art Products
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Coy, Mary – SchoolArts: The Art Education Magazine for Teachers, 2011
In this article, the author describes a cultural collage painting project. Three things served as the impetus for this project: (1) a desire for students to explore the theme of "culture"; (2) an appreciation for the photo-montaged, layered images one sees in print media; and (3) noticing that projects from core subject areas hanging on the walls…
Descriptors: Studio Art, Art Activities, Culture, Painting (Visual Arts)
Carter, Mary C.; Beaty, Ben – Arts & Activities, 2011
Julie Taymor's costumes and masks for the stage version of "The Lion King" were stunning in the way they combined the dual images of human and animal forms. Taymor visually incorporated the human form of a dancer into the simplified form of the animal character so both are equally visible. This visible duality of human form and animal…
Descriptors: Art Activities, Studio Art, Clothing, Theater Arts
Snyder, Jennifer – Arts & Activities, 2011
Color wheels are a traditional project for many teachers. The author has used them in art appreciation classes for many years, but one problem she found when her pre-service art education students created colored wheels was that they were boring: simple circles, with pie-shaped pieces, which students either painted or colored in. This article…
Descriptors: Color, Studio Art, Art Activities, Art Appreciation
Skophammer, Karen – Arts & Activities, 2011
The technique of what people today call "collage" is not new. In Victorian times, elaborate art was created from bristly horsehair as a type of collage. The modern collage dates to the early 1900s when Picasso pasted newspaper on a drawing. In 1919 Karl Schwitters, a German artist, developed collage into an art form that was as important as…
Descriptors: Art Products, Studio Art, Art Activities, Artists
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Rosenfeld, Malke; Johnson, Marquetta; Plemons, Anna; Makol, Suzanne; Zanskas, Meghan; Dzula, Mark; Mahoney, Meg Robson – Teaching Artist Journal, 2014
Writing about the teaching artist practice should mean writing about art making. As both teacher and artist, the authors are required to be cognizant of their own art-making processes, both how it works and why it is important to them, in order to make this process visible to their students. They also need the same skills to write about how and…
Descriptors: Art Activities, Art Education, Writing (Composition), After School Programs
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Bertling, Joy G. – International Journal of Education & the Arts, 2015
Bowers (2001) described how our ecological crisis is marked by metaphors of difference and separation. By adopting an ecological paradigm, students have the opportunity to move past harmful distinctions that have characterized relations with the earth. Instead, students can move to a deep recognition of the interconnectedness of living things.…
Descriptors: Empathy, Mixed Methods Research, Place Based Education, Art Education
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Rosenfeld, Malke, Ed. – Teaching Artist Journal, 2014
This section is full of stories from teaching artists working to clarify what needs to change within their practices and moving toward solutions--whether it's supporting a classroom of learners in new and unexpected ways, reassessing one's approach in the classroom, shepherding an individual child toward success, or professionalizing an entire…
Descriptors: Artists, Art Teachers, Art Education, Educational Practices
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Hrenko, Kelly A.; Stairs, Andrea J. – Across the Disciplines, 2012
This research has begun to examine how teachers in Maine meaningfully infuse art and Native American epistemologies through visual arts and writing across curricula to enhance student learning and engagement. Teachers explored a perceived new space of pedagogical possibility within visual arts and American Indian curricula as cross-disciplinary…
Descriptors: Creativity, Creative Teaching, Teaching Methods, Visual Arts
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Coy, Mary – SchoolArts: The Art Education Magazine for Teachers, 2011
Listening to people complain about the hardships of winter and the dreariness of the nearly constant gray sky prompted the author to help her sixth graders recognize and appreciate the beauty that surrounds them for nearly five months of the year in western New York. The author opines that if students could see things more artistically, the winter…
Descriptors: Studio Art, Art Activities, Painting (Visual Arts), Grade 6
Klein, Lisa Lundgren – Arts & Activities, 2011
Art teachers are always looking for new ways to bring reading opportunities into the classroom--without just reading chapters in a textbook. This assignment helps broaden the knowledge of students in areas that teachers may not have time to explore during art classes. It also gives students something to work on if they have finished their project.…
Descriptors: Studio Art, Art Activities, Reading Assignments, Integrated Curriculum
Greenwood, Nate – Arts & Activities, 2010
In an effort to create a collaborative, grand-scale project that would not only showcase the talent of young artists, but also serve as a reminder that art is a significant part of the human experience, the author asked Cameron VanDyke, a working, professional furniture maker and sculptor, to work with junior-high art classes to collaboratively…
Descriptors: Sculpture, Studio Art, Artists, Junior High School Students
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Bryce, Nadine – Language Arts, 2012
At the James Weldon Johnson Leadership Academy in East Harlem, New York, administrators, teachers, students, families, and community-based artists worked together to create a visually explosive environment that reflected enriched learning experiences based on their multidisciplinary study of New York's history. The Mano a Mano ("Hand to…
Descriptors: Art Education, Integrated Curriculum, Interdisciplinary Approach, Thematic Approach
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