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Melody Causby; Travis Higa; Colin McKenzie; Justin Swearinger – Journal of Music Teacher Education, 2024
The purpose of this Self-Study of Teacher Education Practice (S-STEP) was to examine faculty and student perceptions of co-curricular experiences between an undergraduate instrumental conducting and a junior-level music education course. To help students develop their conducting and pedagogical skills simultaneously, music education and conducting…
Descriptors: Music Education, Musical Instruments, Majors (Students), Undergraduate Students
Keke Pan; Jarernchai Chonpairot – International Journal of Education and Literacy Studies, 2024
The Xu Gongning Bianzhong, an ancient musical instrument dating back to the Western Zhou Dynasty, embodies China's rich cultural heritage. This study investigates the literacy transmission and development of Xu Gongning Bianzhong in Chinese universities, aiming to understand its preservation and development in traditional Chinese music education.…
Descriptors: Musical Instruments, Cultural Maintenance, Music Education, Teaching Methods
Kim, Ji-Eun – String Research Journal, 2023
This study was designed to explore nonstring specialists' comfort teaching students in string ensembles. Comfort was defined as an individual's ease when teaching the subject matter. Data were gathered, using a 7-point Likert-type scale related to 15 string topics administered through a researcher-developed study. Participants ("N" =…
Descriptors: Music Education, Music Teachers, Musical Instruments, Teacher Attitudes
Sakaryaa, Gül; Inalb, Ilbilge; Sendururc, Yilmaz; Zahald, Onur – Pegem Journal of Education and Instruction, 2022
This study examined the period in depth by taking the instructors' perceptions on distant violin education practices in the first semester when the pandemic first hit. For this purpose, semi-structured interviews were held with 29 instructors working in 16 among 26 music education departments. Thus, by making a maximum variation, a significant…
Descriptors: Foreign Countries, Musical Instruments, Music Education, Distance Education
Melody Morrison – ProQuest LLC, 2024
Collegiate class piano for music majors has grown substantially since its beginnings in the mid-twentieth century and has been developed by music teachers and organizations. Research on collegiate group piano has increased in the past forty years, and literature on teaching strategies, professional development, technology, and perceptions of…
Descriptors: Music Education, Musical Instruments, College Students, Teacher Attitudes
Adam Patterson Lynskey – ProQuest LLC, 2023
Students with disabilities represent a group of the population subject to "othering" (Kalymon et al., 2010); that is, being set apart from neurotypical students because of their disabilities. Within the realm of instrumental music, this treatment has followed the pattern of prejudice noted by Allport (1954). Band directors have resisted…
Descriptors: Attitudes toward Disabilities, Music Education, Intellectual Disability, Bias
Önal, M. Ayça – International Education Studies, 2022
One of the most important areas of music education is instrument education. Vocational music education, which is within the scope of music education in Turkey, is carried out in Education Faculties, Fine Arts Faculties, and State Conservatories in order to provide individuals with music as a profession. In these institutions, flute education is…
Descriptors: Foreign Countries, Music Education, Musical Instruments, College Faculty
Zheng, Yuan; Leung, Bo-Wah – Research Studies in Music Education, 2023
Although creativity in music is a topic widely considered and studied among global music educators, it has received limited attention in China while quite a number of Chinese pianists have been recognized on the international stage. How do Chinese pianists and professors perceive creativity in piano performance? How would they nurture creativity…
Descriptors: Creativity, Musical Instruments, Decision Making, Epistemology
Waters, Megan – British Journal of Music Education, 2020
This article draws on qualitative data collected over a five-year period as part of a longitudinal mixed methods research project at a tertiary music institution in Australia. Forty tertiary string students consistently identified factors specific to the one-on-one instrumental teaching environment as influencing their perceptions as to the nature…
Descriptors: Individual Instruction, Musical Instruments, Music Activities, College Students
Christopher Vongvithayamathakul – ProQuest LLC, 2022
The COVID-19 pandemic greatly affected instructional practices at universities around the world, necessitating mostly virtual instruction for safety reasons. Particularly impacted were the performing arts, which often rely on live, in-person interaction. In the field of music, professors of conducting were forced to reconsider their teaching…
Descriptors: COVID-19, Pandemics, School Closing, Distance Education
Elizabeth A. Reed – International Journal of Music Education, 2024
From 2020 to 2022, a global pandemic caused schools to pivot from primarily in-person instruction to all-virtual or hybrid instruction, creating a shift in contextual learning environments that made it necessary for experienced music teachers to become more adaptable and flexible within their already established expertise or leave the profession.…
Descriptors: Music Teachers, Professional Identity, COVID-19, Pandemics
Friench, Debbie; Rhew, Brad; Hauze, Sean; Dorsey, Sophia – Contemporary Issues in Technology and Teacher Education (CITE Journal), 2023
Electronic portfolios (ePortfolios) are used in collegiate science, technology, engineering, and math (STEM) courses and in preservice teacher education, yet there is a dearth of research on the use of ePortfolios for in-service teacher professional development (PD). This article presents the results of using ePortfolios as both a model for…
Descriptors: Portfolios (Background Materials), Electronic Publishing, Technology Uses in Education, Educational Technology
Önal, M. Ayça – International Education Studies, 2022
The Alexander Technique is a method that emerged as a result of Actor Frederick Matthias Alexander's work on himself to solve the problems he had with his voice during his performance. This technique, which was effective for himself, rapidly became widespread because it was tried by different people over time and positive results were obtained.…
Descriptors: Teaching Methods, Music Education, Higher Education, Foreign Countries
Summitt, Nancy L.; Weidner, Brian N. – International Journal of Music Education, 2022
This study investigated expert vocalists' approaches to practice in terms of planning, time, and strategy usage. Participants were 79 university voice professors and members of professional choirs. The researchers sent each participant the Vocal Practice Survey (VPS)which collected data on the participants' professional backgrounds, attitudes…
Descriptors: Specialists, Music, Music Education, Singing
Dawn Joseph; A. Cabedo-Mas; R. Nethsinghe – Intercultural Education, 2024
Valuing diversity in education and educational research is at the heart of higher education institutes. This research takes place in Australia, a multicultural society that is still predominantly Western Anglo-Celtic. Through blended modes of delivery, this paper focuses on three tertiary educators collaborative autoethnographic voices sharing how…
Descriptors: Teacher Education Programs, Cultural Pluralism, Blended Learning, Teacher Collaboration