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Carlomagno, Nadia; Cordella, Francesco Maria; Minghelli, Valeria; Rivoltella, Pier Cesare – Research on Education and Media, 2021
The didactic-performative experience at a distance, centred on the body in action of the training laboratories activated at the University of Study Cattolica del Sacro Cuore of Milan and the University of Study Suor Orsola Benincasa of Naples, encouraged, through the exercise of 'simplex property' of the separation of functions, the crossing of…
Descriptors: Foreign Countries, Universities, Theater Arts, Interaction
Kaufman, Eric – Research in Dance Education, 2019
Beginning in the 1980s, and throughout years of employment on Broadway and beyond, I was an unwitting participant-observer to scenes of sexual harassment in musical theater dance workplaces. I experienced being a target of sexual harassment, not as trauma, but as an uncomfortable and accepted aspect of the employment landscape. The…
Descriptors: Sexual Harassment, Theater Arts, Drama, Dance
Chinyowa, Kennedy – International Journal of Disability, Development and Education, 2022
People have different ways of developing knowledge about their 'selves', what has come to be called 'technologies'. Apart from technologies of production, of sign systems, and of power, the 'technology of the self' enables individuals to effect certain operations on their bodies, thoughts, behaviour, feelings and other ways of being. Such…
Descriptors: Foreign Countries, Students with Disabilities, College Students, Attitudes toward Disabilities
Chivandikwa, Nehemiah – Research in Drama Education, 2020
"Dawn" is an autobiographical university theatre production based on the narrative of Samanyanga, a University of Zimbabwe undergraduate. The article draws from interview materials, personal communication and observations to theorise the experience of participating in the project. The concepts of "Aesthetics of Existence" and…
Descriptors: Human Body, Theater Arts, Undergraduate Students, Student Attitudes
Lewis, Janine; Ziady, Jeannette – Africa Education Review, 2021
The dance world is dominated by instilling technique and discipline in the dance training. Technique and discipline have been inculcated through training regimes that are dogmatically transferred through the generations -- from teacher to dancer --and who in turn perpetuate technique and discipline in their teaching. Within a multicultural…
Descriptors: Foreign Countries, Dance Education, Vocational Education, Power Structure
Otto, Devin – SAGE Open, 2020
This article presents a series of theater games with clear connections to conducting and rehearsing music ensembles, explaining both how to play them and how young conductors will benefit from the experience. These games are published in Viola Spolin's seminal text Improvisation for the Theater, which presents a series of exercises that foster…
Descriptors: Interdisciplinary Approach, Undergraduate Students, Graduate Students, Games
Chinyowa, Kennedy C.; Chivandikwa, Nehemiah – Research in Drama Education, 2017
This article focuses on how ableist discourses and practices seek to "normalize" the disabled body which is deemed to be "deviant". This leads to acts of normalization that expose disabled bodies to precarity, conceived here as the lived experience of marginalization, ostracism and vulnerability. Using the case study of a…
Descriptors: Foreign Countries, Case Studies, Disabilities, Social Bias
Muftic, Sanjin – Research in Drama Education, 2016
"A Day, Across," performed by the CityVarsity School of Creative Arts at the Cape Town Fringe 2014, was a student production that investigated the link between the youth of South Africa and the centennial of the start of World War I. This paper presents a brief analysis of the rehearsal process as well as certain performance sequences in…
Descriptors: History, Teaching Methods, Foreign Countries, Human Body
Giesler, Mark A. – Journal of Social Work Education, 2017
Augusto Boal's Theatre of the Oppressed has been the basis for radical performance techniques practiced around the world. Widely a staple for theatre performance syllabi, it also has an innovative application for the social work classroom. This article designates Boal's four stages of his poetics of the oppressed and concomitant theatrical…
Descriptors: Theater Arts, Social Justice, Audience Participation, Social Work
Ford, Lyndsey; Schmieg, Rose – Journal of Physical Education, Recreation & Dance, 2014
Musical theater is a unique genre within the field of the performing arts. Research of injury epidemiology and treatment efficacy is growing in the field of dance, but little is published specific to the field of musical theater. One study has reported that injury rates in musical theater are high and that injuries occur often to the foot and…
Descriptors: Theater Arts, Music, College Students, Injuries
Gradle, Sally Armstrong – Journal of Aesthetic Education, 2011
In this article, the author explores teacher education performance art and examines what it means to "be fully aware through the body" rather than housed "in" a body. Developing this embodied awareness is important in teacher education because it expands the connections with others whom they teach, increases the sociocultural understandings that…
Descriptors: Preservice Teacher Education, Theater Arts, Creative Activities, Human Body
Frambaugh-Kritzer, Charlotte; Buelow, Stephanie; Simpson Steele, Jamie – Journal of Language and Literacy Education, 2015
Disciplinary literacies in dance and drama are underrepresented in classrooms and in scholarship, especially at the elementary level. The purpose of this qualitative case study was to examine how preservice teachers constructed meaning of the disciplinary literacies in dance and drama. The theoretical framework guiding this study was drawn from…
Descriptors: Dance Education, Drama, Theater Arts, Elementary Education