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Kiri Avelar; Roxanne Gray – Journal of Folklore and Education, 2024
The authors look to the choque, the literal crashing of the castanets together, as a metaphor for the collision of cultures, histories, practices, and values (AnzaldĂșa 1987) when concert dance and folk dance traditions coexist within the changing contours of an academic studio. They offer potential interdependent disruptors for folk dance…
Descriptors: Folk Culture, Dance, Dance Education, Cultural Differences
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Aadya Kaktikar – Journal of Dance Education, 2024
Teaching Odissi in the university space is not new to me. However, as a dancer-scholar located in India, teaching this dance form in a university in the United States expanded and deepened my understanding of this dance form and the ways it can be taught. This encounter, a collision of cultures, beliefs, and movement practices in the dance studio,…
Descriptors: Dance Education, Cultural Awareness, Beliefs, Movement Education
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Senbakar, Kubilay – African Educational Research Journal, 2021
This research was conducted to determine the direction, violence and opinions of female and male candidates studying in the field of Physical Education Teaching at Firat University, Faculty of Sport Sciences, towards folk dance lessons. The universe of this research consists of the students of the Physical Education Department of the Faculty of…
Descriptors: Preservice Teachers, Undergraduate Students, Young Adults, Physical Education
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Liu, Shaohui – Research in Dance Education, 2020
Dance is an important part of Chinese culture. Chinese dance is also part of the world's cultural heritage. However, this cultural practice may be insufficiently illustrated in other countries. The purpose of this article is to determine the level of awareness about Chinese dance and the extent to which it is integrated into the world culture. A…
Descriptors: Dance, College Students, Knowledge Level, Asian Culture
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Salfran, Lindsey – Journal of Dance Education, 2019
Jazz dance training in college and university dance programs offers a platform for students to develop a holistic understanding of dance. Three unique qualities of jazz dance are discussed: vernacular expression, improvisation and sense of play, and rhythmic dynamism. Accessing the vernacular nature of jazz dance provides historical context for…
Descriptors: Dance Education, Higher Education, College Students, Folk Culture
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Lobel, Elin E. – Journal of Dance Education, 2021
Elin Lobel has been teaching dance to physical education and dance education majors since 1994. This particular course has been taught in both a large state university in the Midwest and in a large metropolitan university on the east coast. She focuses on teaching dance forms that allow the learners to appreciate their moving bodies, and their…
Descriptors: Creativity, Dance, Dance Education, State Universities
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Altun, Meryem; Atasoy, Murat – International Journal of Higher Education, 2019
In this study, the effect of various local dances on prospective physical education teachers' attitudes towards the folk dance course was examined. The research was conducted by using an experimental design with pre-test/post-test control group. A total of 46 female students, which includes an experimental group consisting of 23 students attended…
Descriptors: Foreign Countries, Folk Culture, Physical Education, Physical Education Teachers
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Elyagutu, Dilek Cantekin; Hazar, Muhsin – Educational Research and Reviews, 2017
In this research, Movement Notation (Laban) and Traditional Method in Folk dance Teaching were compared in terms of learning success. Movement notation group (n = 14) and Traditional group (n = 14) consisting of students from the S.U. State Conservatory Turkish Folk Dance Department were formed. During the 14-week-long study, the symbols of the…
Descriptors: Folk Culture, Teaching Methods, Foreign Countries, Dance
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Hagood, Thomas K. – Arts Education Policy Review, 2006
In the popular media, American cultural, educational, and political life is portrayed as ideologically split down the middle. The split is often framed in terms of opposites by using the ideas and labels addressed by the author in this paper--traditional versus nontraditional, experiment versus the status quo, diversity versus homogeneity, change…
Descriptors: Dance Education, Popular Culture, Folk Culture, Change