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Gaunt, Helena; Treacy, Danielle Shannon – Arts and Humanities in Higher Education: An International Journal of Theory, Research and Practice, 2020
Ensemble practices have been essential to the performing and visual fine arts over centuries. The skills of working in ensembles, including team work and collaborative learning, are increasingly understood to be critical and transferable professional attributes. However, much teaching of ensembles is practical and embodied, relying on tacit…
Descriptors: Teamwork, Cooperative Learning, Fine Arts, Visual Arts
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James, David L. – Community College Enterprise, 2018
A recent article in "The Weekly Standard," "Kenyon College Cancels Play About Immigration; Starts 'Whiteness Group,'" describes a current call for censorship. Wendy MacLeod's play, "The Good Samaritan," is about an immigrant family in the U.S. surviving "without pay and living in dire conditions," according…
Descriptors: Censorship, Literature, Theater Arts, Drama
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Kang, Rui; Mehranian, Yeprem; Hyatt, Charles – International Journal of Education & the Arts, 2017
Drawing on theories and practices in literacy education and in particular, the concepts of semiotics and transmediation, we explored the possibility of arts-based experiences such as Augusto Boal's Image Theatre in facilitating transformation of thinking in the context of global citizenship education. The objectives of this research were twofold.…
Descriptors: Teaching Methods, Citizenship Education, Case Studies, Literacy Education
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Mundy, Amrit; Chan, Judy – Collected Essays on Learning and Teaching, 2013
In the 2011-2012 academic year, the Organizational Development and Learning unit and the Centre for Teaching, Learning and Technology at the University of British Columbia co-developed an interactive theatre project, Conflict Theatre, to engage in discussion around conflict with our audience and to allow us to explore, engage with, and build…
Descriptors: Conflict, Staff Development, Theater Arts, Essays
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Gallagher, Kathleen; Wessels, Anne – Pedagogy, Culture and Society, 2011
The widespread turn towards "collaboration" in qualitative research methodologies warrants careful and continuous critique. This paper addresses the possibilities and the challenges of collaborative methodology, and in particular what happens when the line between pedagogy and methodology is blurred in classroom-based ethnographic…
Descriptors: Learner Engagement, Urban Schools, Qualitative Research, Research Methodology
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Denton, Diana; Ryder, Steve – Qualitative Inquiry, 2009
Conflict generated in theatre productions in university theatre departments is unique to its context. Issues of role ambiguity; scarce resources; fear and response to the unknown or unfamiliar; and power relations, among others, influence both the generation and the management of conflict. Examining such conflict and the behaviors used to engage…
Descriptors: Theater Arts, Role Conflict, Figurative Language, College Students
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Crossley, Tracy – Arts and Humanities in Higher Education: An International Journal of Theory, Research and Practice, 2006
The article examines conflict avoidance in performing arts group work and issues arising in relation to teaching and learning. In group theory, conflict is addressed largely in terms of its detrimental effects on group work, and its constructive potential is often marginalized. Similarly, undergraduate students usually interpret "effective…
Descriptors: Undergraduate Students, Creativity, Conflict, Group Counseling
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Kuftinec, Sonja; Alon, Chen – Research in Drama Education, 2007
This article details how a unique educational project conducted through Tel Aviv University's Community Theatre program tackled the complex dynamics of the prison-political system over nine months in 2005-2006. The program focused on theatrical facilitations between mainly female students and male prisoners - two more or less homogeneous groups…
Descriptors: Theater Arts, Correctional Institutions, Heterogeneous Grouping, Foreign Countries
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Kaplan, Matthew; Cook, Constance E.; Steiger, Jeffrey – Change: The Magazine of Higher Learning, 2006
Since 2000, the Center for Research on Learning and Teaching (CRLT) at the University of Michigan (UM) has presented an educational theatre program for the professional development of faculty and graduate student instructors. Through the medium of interactive theatre, faculty can experience the sort of "second chance" described in the presented…
Descriptors: Theater Arts, Behavior Change, Conflict, Faculty Development