Conflict generated in theatre productions in university theatre departments is unique to its context. Issues of role ambiguity; scarce resources; fear and response to the unknown or unfamiliar; and power relations, among others, influence both the generation and the management of conflict. Examining such conflict and the behaviors used to engage…

As co-chairs of a tribute panel for their academic mentors, Carolyn Ellis and Art Bochner, the authors knew what the traditional responsibilities would require, but as a performer and a poet, they were inspired to do something more creative. Something poetic. Something performative. Something different. In this article, the authors present a…

This article proposes working criteria for guiding and judging the validity of performance-related qualitative work based on Conquergood's dialogical performance and Madison's performance of possibilities. A series of criteria is proposed considering three performance-based stages that pursue new meanings for performance in/as qualitative inquiry:…

In this piece, drawing from performance autoethnography, third world feminism, and postcolonial/cultural studies, the author interrogates "how do I play scholar?" The author uses Judith Butler's question "how do I play gender?" and her notions of performativity to dance around, using the voices of the "Thug" and the…

This performance autoethnography shows the author's struggle in finding his place, scholarship, voice, and body, into the academic setting. Mixing together memories of his lived experience with sugar cane workers, notes, and leftovers of different fieldworks, plus 6 years of life as grad student at the University of Illinois, the author looks for…