This article suggests placemaking as a framework to more deeply understand how teaching and learning can take into account young children's cultural histories. Placemaking, a form of analysis commonly found in land development literature, critically interprets the relationship between power, politics and the production of place. In this article, parallels are drawn between several tenets of placemaking, such as surveillance, self-definition, and a consciousness of solidarity, and the curricular spaces of a second-grade classroom as the children and their teacher participate in a biography project centered on the Harlem Renaissance. Through analysis of the class-wide inquiry, this article sheds light on the possibility for cultivating children's cultural imagination through placemaking in spite of political practices attempting to define in more narrow terms how teachers and children are to participate in the schooling spaces they inhabit.