The National Conference is the National Dance Education Organization's (NDEO) flagship program, bringing together longtime and new members, seasoned professionals and college students, and dance educators from every sector and a wide range of dance genres. NDEO's National Conference is unique among other dance education summits and professional…

As a result of decades-long dwindling arts funding sources, U.S. nonprofit dance companies struggle to emerge and be sustained. However, mutually beneficial relationships are often developed between nonprofit dance companies and educational institutions such as K-12 schools, universities, and private studios. These relationships enhance students'…

The "Dance Entry Level Teacher Assessment" (DELTA) measures pedagogical content knowledge and subject-specific content knowledge in dance. Created and administered jointly by the National Dance Education Organization and the State Education Agency Directors of Arts Education, DELTA represents a first step toward reaching national…

This self-study provides insights into my experiences as a learner and teacher of dance education. The purpose of the research is to consider ways physical education (PE) teacher educators can reconsider and recontextualise their students' perspectives about learning PE subject content through the lens of dance education. Data consisted of…

This article briefly discusses the challenges of teaching the 2,000 year-old classical dance form of Bharatanatyam to a student population that is alienated from its mythological framework. Bharatanatyam teachers today are responsible for passing on the technique, grammar, and artistic character of this ancient performing art to the current…

The philosophical framework known as the Five Commitments was recently approved by the Governing Board of the Brigham Young University-Public School Partnership. The Five Commitments consist of: Civic Preparation and Engagement; Engaged Learning Through Nurturing Pedagogy; Equitable Access to Academic Knowledge and Achievement; Stewardship in…

This paper investigates teaching artists in the USA whose work is rooted in dance and dance-related disciplines. Teaching artists, although the descriptor itself remains both ambiguous and debated in the USA, provide a good deal of arts education delivery in K12 schools and afterschool programs. Based on survey data from a range of dance teaching…

The field of dance arts education in the United States is in an entirely different place today than it was at the turn of the century. Much of this change is due to a convergence of events that involved: federal and state legislation, policy, and funding that supported dance in arts education; a forty-year transition of dance out of departments of…

This study investigates teaching artists whose work is rooted in dance and theater. Although the term remains both ambiguous and debated, teaching artists provide a good deal of arts education delivery in P-12 and afterschool programs throughout the United States. Based on survey data from a range of teaching artists across the nation (N = 133),…

From an administrative perspective, this article investigates equity issues in dance education, and current challenges and opportunities for leadership in postsecondary dance programs involved in teacher education and certification. Although dance education is varied in content and environment, much is shared in terms of common goals for gender…

In the popular media, American cultural, educational, and political life is portrayed as ideologically split down the middle. The split is often framed in terms of opposites by using the ideas and labels addressed by the author in this paper--traditional versus nontraditional, experiment versus the status quo, diversity versus homogeneity, change…

The decisions related to the national curriculum are made at central level. The curriculum development is under responsibility of the National Institute for Education (organisation directly managed by the Ministry of Education of the Slovak Republic). "Zakladna skola" provides teaching of compulsory subjects, included separate compulsory…

This paper focuses on Latvia's arts and cultural education. Cultural and creative dimensions of education in broader sense are responsibility both of the Ministry of Education and Science and the Ministry of Culture. Decisions about the creation of the curriculum related to culture and creativity within education are made at central level. Latvia…

This paper focuses on Iceland's arts and cultural education. The objective of arts education is to develop creativity, strengthen self-identity, and increase cultural understanding. It aims at a balance between, creation, expression and interpretation, on the one hand, and perception, discernment and evaluation, on the other. In accordance with…

This paper focuses on Portugal's arts and cultural education. The Ministry of Education (ME) is fundamentally responsible for establishing aims to develop the cultural and creative aspects of education, in accordance with the following aims defined for the whole curriculum. At the level of compulsory education, the Portuguese education system,…