This article reports on a retrospective study of Finnish pre-service elementary teachers' assessments of their musical experiences in nursery school and elementary and secondary school and real-time study of their experiences in teacher training. The participants (N = 590) had received musical instruction in five age groups (4-6 years, 7-12 years,…

The article offers tips on introducing percussion activities in elementary music class. Percussion equipment should be treated as musical instruments and not toys, teaching correct names, playing techniques and notation for the instruments. Active listening experiences for students should be planned, including band music. Band music incorporates…

Classroom teachers have numerous reasons to read to students. Reading to students aids in the understanding of story structure, broadens familiarity with different styles of books, and helps to increase vocabulary. Book language is often different from spoken language, and reading allows students to hear different ways of expressing thoughts.…

This article tells about how teachers with little or no background in music at Aynor Elementary School in South Carolina are using the guitar to reinforce spelling, rhyming patterns, vocabulary words, history lessons, and math and science facts. Since 2003, 24 of the school's 30-odd teachers have learned to play well enough to accompany their…

In the minds of some music teachers, school bands and orchestras are divided into two camps: the talented and the musically challenged. Considering their conventional methods of introducing rudiments to their young percussionists, it's no wonder that some students struggle. Take the snare drum as a classic example. First, the percussionist must…

The purpose of this study was to examine teaching effectiveness in an elementary music setting using student achievement as a dependent measure. Because Orff Schulwerk instruction is one of the most prevalent pedagogies in elementary music education, this study examined the rehearsal strategies of recognized Orff Schulwerk teachers as they worked…

This study is the second in a series of investigations attempting to clarify relationships between variables that impact on a young musician's ability to perform music (as assessed on a graded music examination). Consistent with studies on school academic subjects, our previous investigation demonstrated the importance of self-efficacy in…

This study is an examination of the melodic improvisations of a group of children (N = 62) for 3 years, from ages 7 through 9. Participants improvised as part of a class rondo for Orff instruments, in ABACADA form, in which the B, C, and D sections were 8-measure alto-xylophone improvisations in C pentatonic. Each participant improvised three…

This article profiles the Fabulous Leopard Percussionists and its creator, Dianne Downs, a teacher at Martin Luther King Jr. Elementary in Louisville. Dianne Downs' ensemble has earned her Kentucky's highest arts education award among other accolades. The Leopards, which was named for the class mascot, consist of Downs' elementary students. When…

This article presents an interview with Erica Roach, a former Montessori student and a musician, who shares her story about how her Montessori experiences shaped her life. Roach grew up in San Francisco and attended two different Montessori schools: Big City Montessori, for kindergarten, and San Francisco Montessori School (now called The San…

The purpose of this study was to describe the practice motivation and regulation of sixth-grade instrumentalists (11-12 years of age). A sample of 224 US band and orchestra students, representing 85 elementary schools, completed a 36-item practice inventory and produced two narratives depicting a typical practice session and a practice episode…

This activity is the result of a school-university collaboration among four educators (two intermediate classroom teachers, a vice-principal/teacher, and a university-based teacher educator/researcher) who worked together to improve the quality of learning in the classroom. The educators combined their teaching expertise to plan and co-teach an…

The purpose of this study was to assess fourth- and fifth-grade students' (9- and 10-year-olds') affective response and ability to discriminate between melody and improvisation after receiving instruction in singing and/or playing a piece in the blues style. Subjects (N= 102) were assigned to one of three equal-sized groups. Group 1 learned to…

The university curriculum for an elementary education degree traditionally includes a "basics of music" and a "basics of art" course. These two courses represent a nod to the importance of the arts in the elementary school, and they may be the only formal contact with music and arts pedagogy that prospective teachers receive. One way to make these…

This article reports on a study that examined the effectiveness of introducing African music and culture to Australian non-specialist primary teacher education students at Deakin University in Melbourne (Australia). The study demonstrates that African music enhanced the generic musical experiences, learning, motivation, interest, confidence and…