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Olson, Cathy Applefeld – Teaching Music, 2012
This article profiles James Sewrey, founder of the Percussive Arts Society. A passionate percussionist who's spent more than 60 years teaching at all levels from kindergarten through university, Sewrey was called out of retirement in 2007 to serve as adjunct professor of percussive studies at Wisconsin Lutheran College. As a founding member of the…
Descriptors: Change Agents, Profiles, Career Education, Music Appreciation
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Margulis, Elizabeth Hellmuth – Psychology of Music, 2010
The widespread practice of including program notes for classical concerts assumes that extramusical information affects musical experience, but the psychological mechanisms underlying this process are little understood. In this study, 16 people without formal musical training heard excerpts from Beethoven String Quartets prefaced by either a…
Descriptors: Music Activities, Communication (Thought Transfer), Music Appreciation, Music
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Harvey, Michael Kieran – Australian Journal of Music Education, 2012
The New Music Network established the Peggy Glanville-Hicks Address in 1999 in honour of one of Australia's great international composers. It is an annual forum for ideas relating to the creation and performance of Australian music. In the spirit of the great Australian composer Peggy Glanville-Hicks, an outstanding advocate of Australian music…
Descriptors: Foreign Countries, Transcripts (Written Records), Music Appreciation, Music Theory
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Wesolowski, Brian C. – Music Educators Journal, 2012
A primary difficulty with music performance assessment is managing its subjective nature. To help improve objectivity, rubrics can be used to develop a set of guidelines for clearly assessing student performance. Moreover, rubrics serve as documentation for student achievement that provides music teachers with a written form of accountability.…
Descriptors: Performance Based Assessment, Guidelines, Music Teachers, Scoring Rubrics
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Colwell, Richard – Yearbook of the National Society for the Study of Education, 2012
Music has pervaded American history since the founding fathers sang hymns aboard the Mayflower. From that time until the present, music has been so embedded in U.S. society that it is experienced subconsciously in events and activities that are a part of daily life. Learning and instruction take place in the home, in churches, in the community,…
Descriptors: Music, Role, United States History, Music Education
Thornton, Darrin H. – ProQuest LLC, 2010
The purpose of this study was to explore the phenomenon of adult music engagement from the perspectives of musically engaged adults not currently participating in activities that are direct extensions of the typical K-12 music curriculum. Three participants were purposefully chosen and include an avid listener, a church praise team member, and a…
Descriptors: Music Education, Music, Elementary Secondary Education, Phenomenology
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Petchauer, Emery – Review of Educational Research, 2009
Hip-hop has become relevant to the field of education because of its implications for understanding language, learning, identity, curriculum, and other areas. This integrative review provides historical context and cohesion for the burgeoning and discursive body of hip-hop scholarship by framing it according to three heuristic categories and…
Descriptors: Educational Research, Literature Reviews, Popular Culture, Culturally Relevant Education
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Taylor, Angela; Hallam, Susan – Music Education Research, 2008
Although many adults take up or return to instrumental and vocal tuition every year, we know very little about how they experience it. As part of ongoing case study research, eight older learners with modest keyboard skills explored what their musical skills meant to them during conversation-based repertory grid interviews. The data were…
Descriptors: Music Education, Musical Instruments, Educational Research, Adults