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Rosenfeld, Malke, Ed. – Teaching Artist Journal, 2014
This section is full of stories from teaching artists working to clarify what needs to change within their practices and moving toward solutions--whether it's supporting a classroom of learners in new and unexpected ways, reassessing one's approach in the classroom, shepherding an individual child toward success, or professionalizing an entire…
Descriptors: Artists, Art Teachers, Art Education, Educational Practices
O'Toole, John – Research in Drama Education, 2009
The centre of this article is a critical description of the development and production of "Everyday Theatre's" performed pretext, called "replay@timeout", including a detailed account of the devising process and the programme's content. The programme is located within the history and traditions both of theatre in education…
Descriptors: Theater Arts, Drama, Dramatics, Art Activities
Tett, Lyn; Anderson, Kirstin; McNeill, Fergus; Overy, Katie; Sparks, Richard – Studies in the Education of Adults, 2012
This article investigates the role of the arts in enabling prisoners to engage with learning and improve their literacy, and the impact this has on their rehabilitation and desistance from crime. It draws on data collected from prisoners who participated in arts interventions in three different Scottish prisons. It argues that participating in the…
Descriptors: Active Learning, Drama, Audiences, Correctional Institutions
Park, Maureen; Hamilton, Robert – Journal of Adult and Continuing Education, 2010
The current interest in the role of lifelong learning and cultural engagement for change is not new. This article looks at a most unusual precedent and a neglected area in the historiography of adult education--the use of cultural education provision in asylums in the nineteenth century to promote cure and restoration of the "insane" to…
Descriptors: Creativity, Historiography, Cultural Education, Adult Education
O'Connor, Peter – Research in Drama Education, 2009
This article examines the nature of relationships between funders and applied theatre companies. Recognising that this is a murky terrain where competing agendas and goals can jeopardise the effectiveness of applied theatre programmes, the article traces the history of the funding relationship between Applied Theatre Consultants Ltd and Child,…
Descriptors: Theater Arts, Public Agencies, Donors, Aesthetics