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Andrew Wass – Journal of Dance Education, 2024
Ensemble Thinking (ET) is a toolkit of movement scores developed by dance-maker Nina Martin in the 1980s in New York City. The scores of ET arose out of a confluence of Martin's choreographic and improvisational performance practices. The impetus for developing ET was to develop a technical language for creating and discussing improvised dance.…
Descriptors: Scores, Dance, Dance Education, Creative Activities
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Megan G. Stutesman; Thalia R. Goldstein – Journal of Creative Behavior, 2024
Dance is a multifaceted creative act that has been used to communicate emotions throughout human evolution. Despite this history, there has been no empirical exploration of components of dance that allow it to communicate emotion. We address this with a mixed methods study in which a quantitative study with dance viewers builds upon qualitative…
Descriptors: Dance, Creative Activities, Emotional Response, Communication (Thought Transfer)
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Jochelle Pereña – Journal of Dance Education, 2024
Practitioner Exchanges (PXs) at Luna Dance Institute are casual community conversations co-facilitated by dance educators around a topic of dance teaching inquiry. With the physical disconnection of the COVID era, these in-person roundtables shifted to Zoom, and became even more essential in bringing teaching artists together. Educators from all…
Descriptors: Creative Activities, Dance Education, Videoconferencing, Phenomenology