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Hess, Juliet – Music Educators Journal, 2022
To date, multiple U.S. states have passed legislation banning the teaching of critical race theory (CRT) and limiting teaching related to race, gender, CRT, and privilege under the umbrella term "divisive concepts." Against this backdrop, I argue that while CRT is not taught in schools, as a theory, it provides a crucial analytical and…
Descriptors: Critical Race Theory, State Legislation, Music Education, Racism
Hess, Juliet – Music Education Research, 2021
Across the globe, many countries are at a nexus of multiple crises. The COVID-19 pandemic, structural racism, the climate crisis, and a severe economic downturn have all converged. These crises have wreaked havoc on minoritized communities in particular. This moment requires imagination to write a different future -- to not return to the status…
Descriptors: Imagination, Music, Futures (of Society), Critical Theory
The Surge toward "Diversity": Interest Convergence and Performative "Wokeness" in Music Institutions
Hess, Juliet – Action, Criticism, and Theory for Music Education, 2022
Following the brutal murder of George Floyd by police office Derek Chauvin in summer 2020, interest in so-called "diversity" initiatives in schools of music across the U.S. and Canada has exploded. In this article, I put forward Derrick Bell's (1995) principle of interest convergence--a key tenet of critical race theory (CRT)-- in order…
Descriptors: Music Education, Critical Race Theory, Student Diversity, Minority Group Students
Hess, Juliet – Philosophy of Music Education Review, 2021
Music educators and music education researchers often rely on the use of story when advocating for social change. We may use story to illustrate a need for resources, point to a systemic injustice, illustrate a need for policy change, or identify an exclusion. Allies often utilize stories of oppression to demonstrate the untenability of situations…
Descriptors: Story Telling, Social Justice, Music Education, Educational Change