This paper explores the experiences of six teacher learners and one teacher educator in a graduate course on aesthetic education at a Midwestern university in the U.S. Using collective autoethnography and arts-practice research, the researcher/participants examine how aesthetic experiences were activated in the learning environment and how this…

In Australia, where initial teacher education is offered both on-campus and in a fully online mode, future primary-school generalist teachers study teaching across the school curriculum. This includes the arts curriculum where opportunities for future teachers to engage in authentic arts learning themselves are generally seen as essential for…

In this article, we explore three Daoist concepts in East Asian historical and cultural contexts, addressing Daoism and its educational significance in connecting with new materialism theory. We argue that Daoism's nonaction, the interdependence of things and concepts, and nonlinguistic learning allow us to expand art education from the Cartesian…

In 2020, a professor of gender, sexuality, and feminist studies at Middlebury College in the United States invited me as a visiting scholar-artist to help students stage the docudrama "Jane: Abortion and the Underground." The mission: to "both" rethink normative constructs of gender, sexuality, and abortion "and also"…

This paper provides a descriptive historical analysis of the planning and writing of the Australian Curriculum: The Arts which occurred from 2009 to 2013. This process involved extensive consultation across a range of stakeholders, including curriculum research, background reading and analysis that preceded the Australian Curriculum, Assessment…

Against an increasingly compartmentalized educational landscape, we have heard urgent calls for new modes of teaching and learning. In this light, educators from a variety of disciplinary backgrounds turned to transdisciplinarity and the arts for a possible response. The educational initiatives being developed and the related literature are…

In this article, Sue Uhlig highlights the mixed-media artwork of vanessa german. german uses everyday objects like bottle caps, spoons, and coins assembled en masse to create different assemblages, including power figure sculptures. Through these re-collected objects of the past, german shapes new associations in the present and helps direct…

The design brief informs particularly the first phases of the design process; however, there are very limited studies on its role and functions. The current study proposes a framework that relates problem statement types in a design brief to creative outcomes by promoting the priming effect, which is a cognitive phenomenon describing the ways…

In an age of inequity, injustice, and ambiguity, it may be that those who cannot reframe and unframe the past through a critical lens of the present will be "condemned to repeat it", thus preventing the possibility of future transformation (Kantawala, in press). Over the past year, George Floyd's death, other recent events of police…

Very few studies have focused on learning about art through picture books. More importantly, teachers are trained as generalists and have minimal knowledge about supporting children to learn art, particularly through picture books. This project aimed to explore the aesthetic learning potential of picture books in kindergartens. The project was…

Self-identification is essential to the mediation of educational outcomes, however the selective self-identification of students as an artist remains a relatively unexplored area of research in art education. This project uses qualitative narrative analysis to deconstruct the life stories of university-level art students, to examine formative…

This article argues that a UK education system is required such that it specifically recognises the particular dynamic, co-constructive nature of complex and rapid contemporary entanglements (both human and non-human) and how they inform the epistemic and ontological development of students. This article draws from posthumanist theory and uses the…

The art component in the chaotic intersections of 2020 cannot be ignored. The expressive outputs of thoughts and feelings that are relevant first-person accounts in the struggle against oppression are also valuable markers that illuminate historical timelines. How reflective are these situations, and what can be derived from these moments? What do…

Over the past few years, art educators (Cooper et al., 2018; Grodoski, 2018; Taylor, 2017) have begun to embrace data visualization for curricular purposes. In this article, the authors make a case for the inclusion of data visualizations in K-12 art curricula and illustrate a curriculum that focused on introductory data visualization concepts and…

Because she has seen students increasingly advocating for social justice and for their intersectional identities, Rachel Epp Buller hoped that developing a new course called Activism, Art, and Design might offer students models of how to leverage art for social change, while also connecting to their institution's values. She is an associate…