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Anna Keune – International Journal of Computer-Supported Collaborative Learning, 2024
A key commitment of computer-supported collaborative learning research is to study how people learn in collaborative settings to guide development of methods for capture and design for learning. Computer-supported collaborative learning research has a tradition of studying how the physical world plays a part in collaborative learning. Within the…
Descriptors: Design Crafts, Visual Arts, Algorithms, Cooperation
Wiley, Katherine Ann – ProQuest LLC, 2018
In this study, a practicing elementary art teacher enacts the multiple imaginations rooted in a/r/tography while examining the complex experiences of the teacher engaged in new curricular work. A/r/tography is framed as a type of phenomenology of practice--a living and in-process inquiry--which accepts the artist/researcher/teacher as points of…
Descriptors: Elementary School Teachers, Art Teachers, Curriculum Development, Visual Arts
Garber, Elizabeth – Studies in Art Education: A Journal of Issues and Research in Art Education, 2019
Materials, making, and objects are important parts of an ecology of meaningful learning and teaching in art that must accompany the development of concept and social impact. New materialist theory suggests that matter matters to how life is lived, while emphasizing that animacy is inherent not only to what we think of as animate beings but to all…
Descriptors: Art Education, Art Materials, Visual Arts, Teaching Methods
Hamlin, Jessica; Fusaro, Joe – Art Education, 2018
The practices of artists and the field of artistic production is an iterative space--a rapidly evolving network of ideas and dialogic strategies, as well as collaborative and interdisciplinary practices. Artists function at the intersection of many disciplines as researchers, activists, and problem solvers. These practices provide an imperative to…
Descriptors: Art Education, Artists, Teaching Methods, Art Activities
Marston, Kate – Qualitative Research Journal, 2022
Purpose: This paper critically examines the development and direction of the Fabricating Future Bodies (FFB) Workshop. Troubling notions of co-production as enacting equality or empowering participants, it draws on feminist posthuman and new materialist concepts to understand it as an eventful process that occurs in unpredictable and shifting…
Descriptors: Sexuality, Visual Arts, Creativity, Artists
Arantes do Amaral, João Alberto; Brito, Suzana Costa – Anatolian Journal of Education, 2018
In this article, we discuss the lessons learned in a system thinking course developed in a multicampus, distance-learning environment. Forty-six undergraduate students were involved; the students were from four campuses of the Federal University of São Paulo, Brazil. We explain the course design, curriculum and online components. We analyze the…
Descriptors: Student Interests, Learner Engagement, Distance Education, Active Learning
Wilson, Jenny – Australian Universities' Review, 2016
In "Arts Nation" 2015, the Australia Council documented the current landscape of artistic endeavour in Australia, acknowledging that there are still gaps that need to be filled to build a greater public understanding of the arts in Australia. The contribution of Australian universities to the arts is one such lacuna. This paper seeks to…
Descriptors: Foreign Countries, Art Materials, College Role, Theater Arts
Tarricone, Pina; Newhouse, C. Paul – Australian Educational Researcher, 2016
Traditional moderation of student assessments is often carried out with groups of teachers working face-to-face in a specified location making judgements concerning the quality of representations of achievement. This traditional model has relied little on modern information communications technologies and has been logistically challenging. We…
Descriptors: Visual Arts, Art Education, Art Materials, Alternative Assessment