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Mitchell, Siobhan B.; Haase, Anne M.; Cumming, Sean P.; Malina, Robert M. – Research in Dance Education, 2017
The pubertal transition can present an interesting paradox for the young dancer, with growth and maturation leading to improvements in some areas such as strength and power and detriment to others, such as flexibility and co-ordination. These challenges highlight the need to consider the interactions among biological, psychological and…
Descriptors: Dance, Transitional Programs, Puberty, Maturity (Individuals)
Falkembach, Maria Fonseca; Icle, Gilberto – Research in Dance Education, 2020
The following paper seeks to show how Somatic Education is a usual practice in the classes researched and, at the same time, how it places the body in places of dispute at schools. Notions present in the classes studied such as, for example, the relationship between surveillance and silence and between the latter and listening are thus analysed,…
Descriptors: Dance Education, Dance, Ethnography, Teaching Methods
Dale Schmid – Dance Education in Practice, 2024
The National Art Education Association (NAEA) launched the Connected Arts Networks (CAN) initiative in September 2022. CAN is a collaborative effort among the NAEA, the National Dance Education Organization (NDEO) and other esteemed partners, including the Educational Theater Association (EdTA), the National Association for Music Education…
Descriptors: Dance Education, Communities of Practice, Theater Arts, National Organizations
Vincent, Lauren; Timmons, W.; Mulholland, R. – Research in Dance Education, 2021
Whilst the fight for the inclusion of dance in schools has been an ongoing struggle, current government directives and educational policies present an even greater threat to the future of quality dance education in schools and this needs to be addressed. This paper begins to explore the certificated dance education currently on offer in the United…
Descriptors: Barriers, Educational Quality, Dance Education, Educational Policy
Oladipo, Adenike Julianah; Akhigbe, Jeremiah Nosakhare – Journal of Educational Research, 2022
There is a knowledge gap in best practices for incorporating performance arts into science instructions. The study focused on the design and implementation of the Performance Arts Enhanced 3-Stage Instructional Model (PAEIM), which incorporated drama, dance and music. The PAEIM was implemented in mixed factorial quasi-experimental research during…
Descriptors: Best Practices, Models, Theater Arts, Drama
Ashton, Heidi S.; Ashton, David N. – Journal of Education and Work, 2016
Our understanding of the transition from school to work has traditionally been underpinned by a three-stage model. This is one in which the first stage is a preparatory one, where the focus is on school, followed by a second transition stage and ending in a third stage, the successful entry to work. This is a model that has been challenged by work…
Descriptors: Models, Education Work Relationship, Dance, Dance Education