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Omer Sekerci – Novitas-ROYAL (Research on Youth and Language), 2024
"Waiting for Waiting for Godot" (2016) is a biographical and award-winning two-act play, a parody of Beckett's seminal work "Waiting for Godot" (1953). It is one of the most renowned works of the newgeneration American playwrights by actor and comedian Dave C. Hanson, who is relatively unknown to scholars. Having used the text…
Descriptors: Drama, Parody, Literary Criticism, Literature Appreciation
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Salverson, Julie – Research in Drama Education, 2023
A meditation on drama practice from an artist in Canada. My university students are preoccupied with damage and trauma. There are paralyzing obstacles to working across differences that were useful for a time but no longer serve a robust solidarity. The stories we collect, tell and re-tell ourselves to prepare for a 'never again' are stifled if…
Descriptors: Foreign Countries, College Students, Trauma, Theater Arts
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Naomi Nkealah; Maria Prozesky – Reading Research Quarterly, 2025
As university teachers of literature, we tend to accept the rhetoric that students lack the capacity to interpret texts meaningfully, without questioning our own biases about the kinds of meaning we expect them to elicit from texts. Often, these are meanings that have little relevance to students' own social or professional lives. In this article,…
Descriptors: Foreign Countries, Literary Criticism, Literature Appreciation, Reader Response
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Harrison, Michaela J. – International Journal of Research & Method in Education, 2020
Primarily methodological in its orientation, this paper offers a presentation of 'research outcomes' in ways that challenge and disrupt commonplace notions of data and analysis. In an attempt to write against the grain of conventional qualitative research practice and to experiment with alternative encounters with data and analysis, I present…
Descriptors: Educational Philosophy, Writing (Composition), Criticism, Undergraduate Students
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Kaibr, Kadhim Hatem; Jingjing, Guo – English Language Teaching, 2018
Albee's plays are known for highlighting the daily suffering of American individuals and the material pressures exerted upon them by the "American dream" project, which pushes them into choosing between fulfilling their material requirements in exchange for the supreme human values and social relations that bind their community and…
Descriptors: Drama, Psychological Characteristics, Social Theories, Didacticism
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Alqaryouti, Marwan Harb; Ismail, Hanita Hanim – English Language Teaching, 2018
Shakespeare's "The Tempest" (1610-1611) is one of the controversial plays regarding whether to be placed in the purview of colonialism or anti-colonialism. The bard sketches two antithetical characters in the course of the play, Prospero and Caliban, who form the two extremes of the self against the other dichotomy. This study aims at…
Descriptors: Drama, English Literature, Foreign Policy, Literary Devices
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Al Sharadgeh, Samer Ziyad – English Language Teaching, 2018
Edgar manages to invert the subordinate function of generally accepted objective indicators of membership of a particular national group--language, religion, common history, and territory--into the essential mode of imperative distinction shaping the unique national identity. In other words, it is the fresco and the value assigned to it that…
Descriptors: Refugees, Religious Factors, Playwriting, Documentaries
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Wolfsdorf, Adam – Changing English: Studies in Culture and Education, 2018
The play within a play has long been understood as Hamlet's attempt to catch the conscience of the King. But is that all it is? Perhaps there's more to the "Murder of Gonzago" than either Hamlet or even Shakespeare, himself, intended? While the narrative of the Player King and Player Queen clearly works to tap into the private guilt of…
Descriptors: English Literature, Drama, Dramatic Play, Teaching Methods
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Muñoz-Valdivieso, Sofía – Changing English: Studies in Culture and Education, 2017
The article reviews the evolution of Shakespeare studies over the last 50 years and proposes a narrative to trace its development since the commemoration of Shakespeare's birth in 1964 in three phases: first, the unfolding from the 1970s to the 1990s of what I have called the postmodern paradigm in Shakespeare studies, which I argue breaks with…
Descriptors: Authors, English Literature, Trend Analysis, Drama
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Price, Theodore – Research in Drama Education, 2018
This paper details the oscillation between the aesthetic and political response to the refugee crisis as seen through the eyes of the UK's emergency response committee COBRA (Cabinet Office Briefing Room A) and its alternative COBRA RES. Firstly, it examines the interjection of the official COBRA Committee within the image-economy of crisis,…
Descriptors: Emergency Programs, Public Policy, Criticism, Government Role
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Hemelryk Donald, Stephanie – Research in Drama Education, 2018
This article discusses Anders Lustgarten's play, "Lampedusa." The play is ostensibly about refugees and the Mediterranean crossing, as well as addressing EU migration, debt, and austerity. The article develops the idea of the debtor in neo-liberal economics suggesting that the refugee is required to become a debtor on settlement. While…
Descriptors: Drama, Immigrants, Immigration, Debt (Financial)
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Gray, Christina; Lambert, Kirsten – Asia-Pacific Journal of Teacher Education, 2020
The Australian Professional Standards for teachers attempts to regulate the profession and improve teacher quality. Yet the standardisation of teachers' work has attracted criticism from researchers who assert that a "one size fits all" model for judging teacher quality fails to recognise the affective, enactive and relational aspects of…
Descriptors: Standards, Drama, Extracurricular Activities, Professionalism
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Jamalinesari, Ali – Advances in Language and Literary Studies, 2015
The word "archetype" is derived from the Greek words "arche" meaning "first" and type meaning "imprint" or "pattern". Actually, the archetypes are like deposits of experiences that have been frequently repeated in the history of human beings. They are present in all humans from birth. They can be…
Descriptors: Authors, Drama, Self Concept, Psychology
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Williams, Kevin – Educational Philosophy and Theory, 2020
This paper applies Oakeshott's distinction between work and play to his philosophy of language education. The first part explores his critique of the vocational rationale for learning foreign languages and his affirmation of the intrinsic value or playful character of the activity. The second part of the article endeavours to give practical…
Descriptors: Educational Philosophy, Criticism, Second Language Learning, Second Language Instruction
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Dobson, Tom; Stephenson, Lisa; De Arede, Ana – English in Education, 2021
Literary criticism of children's literature asserts a one-directional view of power with the adult writer constructing the child reader. Using "aetonormativity"-- adult perceptions of normality -- this paper explores what happens when children co-construct publishable fiction. Our analysis of drama and creative writing workshops shows…
Descriptors: Literary Criticism, Childrens Literature, Writing for Publication, Creative Writing
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