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Susannah LeMarquand – Journal of Dance Education, 2024
In the fall of 2012, the University of Tampa dance program proposed its first dance major. The vision was to build a unique curriculum that would strengthen our approach to teacher training and offer the tools to teach a wide variety of populations. Much of the inspiration for this approach came from our training with Anne Green Gilbert, the…
Descriptors: Dance Education, Brain, Private Colleges, Curriculum Development
Savrami, Katia – Research in Dance Education, 2017
Dance Improvisation is an essential skill and tool for dancers. It is grounded in the kinesthetic experience and its constantly changing dynamic qualities through self-movement. It requires a spontaneous kinesthetic response in a spatiotemporal vigorous qualitative dynamic happening of affect and movement; a momentum that allows dancers to perform…
Descriptors: Dance, Creativity, Kinesthetic Perception, Brain
Harris, Kelly Lynne – Parenting for High Potential, 2017
The arts had a definite place in ancient Greek education and played an important part in children's physical, emotional, social, and intellectual growth. Education was based on the development of the whole person. Gymnastics, drawing, music, and poetry were used to increase physical strength, moral character, and a sense of the aesthetic. Music,…
Descriptors: History, Art Education, Parent Role, Academically Gifted
Martin, Nina – Journal of Dance Education, 2017
Many dance artists in their first encounters with improvisational dance making begin not only to learn how to compose spontaneously, but also to gain skills for coping with the uncertainties inherent in the form. This article suggests helpful dance scores for beginning students of physical improvisation and those who teach improvisational…
Descriptors: Creativity, Anxiety, Knowledge Level, Transfer of Training
Faber, Rima – Arts Education Policy Review, 2017
This article proposes the existence of an "Isadora Effect": the propositions that motor development plays a primal role in brain development, and the first understanding of symbolic meaning among young children occurs from an understanding of movement and gesture. Anecdotal evidence for the past few decades has demonstrated that dance…
Descriptors: Dance Education, Early Childhood Education, Motor Development, Brain
Burrill, Rebecca – Teaching Artist Journal, 2010
The author is naturally a kinesthetic learner. As a child she was steeped in the wilds of seashore, fields, and woods in which she was free to roam, explore, and imagine in a deeply sensual, movement-oriented world. Because of these first experiences of freedom of movement and spontaneity in the highly intense natural world, she found the…
Descriptors: Creativity, Sensory Integration, Freedom, Motion
Skoning, Stacey – Kappa Delta Pi Record, 2010
This article demonstrates how the use of creative movement and dance offers effective instructional strategies to meet the diverse learning needs of students in an inclusive classroom. Every day in one multi-age, fully inclusive classroom, students are meaningfully engaged in learning through movement--they move to learn science, social studies,…
Descriptors: Educational Strategies, Dance, Dance Education, Creative Teaching