Because Western art music is harmonically more complex than popular music and because it is written with musical notation, it may be challenging for certain people with no music training (non-musicians), those who did not grow up with Western art music, or those who did not choose to listen to this type of music for enjoyment to understand and…

The local problem addressed in this study was that students at a community college are experiencing stress levels that may impede their ability to learn. The purpose of this qualitative study was to examine student perceptions of self-selected music listening as a strategy for learning under stress. The theory of emotional intelligence by Goleman…

This phenomenological study explores the lived experience of music teacher educators with diverse musical soundscapes. I define a soundscape as the aural vista always present in one's consciousness. This study is grounded in the phenomenological underpinnings of Hans Georg-Gadamer, Martin Heidegger, Maurice Merleau-Ponty and Max van Manen, as well…

In education policy, research, and reform, rural education spaces are often an afterthought, if included at all (Azano et al., 2021; McShane & Smarick, 2018; Tieken, 2014). Music education research has followed a similar trend, with scholarly efforts directed toward school districts with greater resources or addressing racial equity while…

Higher education is experiencing a mental health epidemic (Venit, 2022). There is unprecedented student demand for psychological services that colleges are unable to meet (Lipson et al., 2019a), leading to high rates of mental illness-related attrition (Koch et al., 2018). Two groups of students at particularly high risk of mental illness-related…

The purpose of this study was to investigate the content, student learning outcomes, and types of measures used for assessment in music appreciation courses across the State University of New York (SUNY) community colleges. Data was collected using a researcher-designed questionnaire; instructional faculty of music appreciation courses at SUNY…

On November 15, 1981, the University of Illinois British Brass Band performed its first concert, conducted by University of Illinois Assistant Director of Bands James Curnow. The ensemble's antecedents lay in the brass bands established in Victorian England that were populated by members of the working classes, while its 1980s founding occurred in…

In secondary ensembles, teachers navigate the demanding balance of developing music literacy skills while preparing for concerts. This challenge intensifies in online learning environments due to limited opportunities for instant feedback, ensemble synchronization, and fostering a sense of community. The problem was the lack of understanding of…

Despite music education being endorsed by researchers as an effective tool to improve the social-emotional competence of students who live in poverty, African American students, who are overrepresented among the population of students who live in poverty, often fail to take advantage of music education programs (Elpus & Abril, 2011; Hoffman…

The purpose of this study was to explore the lived experiences of black women band directors at the secondary and collegiate levels. The goal was to understand their experiences that shaped them as educators and contributors to the profession. A secondary goal was to explore the personal and structural factors that served as support systems and…

The purpose of this study was to investigate relationships between institutional and instructor characteristics and the assignment of the concert report within American college music in general studies courses. Four research questions were addressed: (1) Do significant differences exist in instructor practices regarding the assignment of, and…

The purpose of this study was to evaluate a new music education program in Cyprus. The program which was created by the author of this study, combined early childhood music education and children's literature. Nine lessons were created which included three original children stories and six songs. Five primary music teachers implemented the whole…

The purpose of this study was to explore the phenomenon of adult music engagement from the perspectives of musically engaged adults not currently participating in activities that are direct extensions of the typical K-12 music curriculum. Three participants were purposefully chosen and include an avid listener, a church praise team member, and a…

This study was an examination of participants' preference for classical music excerpts presented in differentiated types of music video formats. Participants (N = 83) were volunteer students enrolled in intact music appreciation classes at a suburban community college located in a Midwestern city. Participants listened to and viewed music video…

The purpose of this study was to investigate whether differences exist with regard to music achievement, music self-concept, or student course satisfaction among students enrolled in four different sections of an undergraduate music appreciation course taught from chronological or sociocultural approaches in online or face-to-face formats.…