Americans are obsessed with heroes, and they seemingly create them from anyone and everyone, anywhere and everywhere. This predilection is also clear in American histories. Their belief in heroes shows their connection to their society and culture, their willingness to follow someone in their social settings, and their belief that good people who…

The author responds to the essays in this special issue by noting that they emphasize the importance of careful, complex comparisons between Western and Chinese rhetorical traditions.

Examining two particular texts and applying modifications of Western feminist concepts, the author argues that early twentieth-century Chinese women's writing contains feminist thoughts and textual strategies far more complex and nuanced than conventional wisdom has led one to expect. (Contains 6 notes.)

Teaching postcolonial literature to American college students involves taking them through a dialectical process of thinking about identification. In the first stage, students are encouraged to note similarities between their own lives and those of the work's characters. With the second step, students examine how the work's cultural and historical…

The author explains how principles of cognitive science can help teachers of literature use texts as a means of increasing students' commitment to social justice. Applying these principles to a particular work, Uncle Tom's Cabin, he calls particular attention to the relationship between cognitive science and literary schemes for building reader…

Nineteenth-century American leaders in education came to advocate a redesign of the schoolroom that resulted in its being seen as more the province of female teachers than of male teachers. This discourse of reform serves as a case study of how space itself may be rhetorically "gendered." (Contains 1 figure and 9 notes.)

From within the milieu of race and identity fatigue emerges "Crash." Winner of three Academy Awards, including Best Picture, "Crash" addresses how the fluidity of identity is pooled, ebbed, blocked, directed, dammed up. How identity and subjectivity are dammed up and mediated through the force of the anxieties, fears, and frustrations of people…

On various campuses, including the author's, "safe space" stickers are used to designate offices supposedly free of homophobia. The author critiques this practice, pointing out that it still privileges the white heterosexual subject while also obscuring connections between sexuality, gender, and race. (Contains 10 notes.)

At the heart of passionate antiracist writing by white people often lies a personal narrative--a narrative of awakening in which the writers see for the first time the unearned prvilege their skin color affords them, and one that reveals the historical, familial, and cultural trajectories of race difference they are linked to and perpetuate. In…