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Coss, Roger G. – General Music Today, 2019
Research suggests that exploratory experiences in the music classroom are a crucial developmental stage as students begin making the kinds of decisions required of them during composition and improvisation. The aims of this article are to (1) articulate a rationale for exploratory learning experiences in the music classroom and (2) outline…
Descriptors: Creative Thinking, Music, Music Education, Musical Composition
Friar, Kendra Kay – General Music Today, 2021
Scott Joplin (1868-1917) was an African American composer and pianist of singular merit and influence. Academic interest in Joplin has increased in recent years, leading to new discoveries about the composer's activities, yet teaching materials have not been updated at the same pace as 21st-century findings. Joplin was an entrepreneur, a…
Descriptors: Music Education, Musical Composition, Biographies, Music
Pendergast, Seth – Music Educators Journal, 2021
Interest in creative music technologies is on the rise among secondary students. Still, some music teachers are unsure how to integrate creative music technologies into their instruction. This article explores one versatile and powerful technology for the music classroom: digital audio workstations (DAWs). First, I discuss the central role of…
Descriptors: Music Education, Creative Teaching, Secondary School Students, Music Teachers
Yoo, Hyesoo – Music Educators Journal, 2017
Multicultural choral music has distinct characteristics in that indigenous folk elements are frequently incorporated into a Western European tonal system. Because of this, multicultural choral music is often taught using Western styles (e.g., "bel canto") rather than through traditional singing techniques from their cultures of origin.…
Descriptors: Music Education, Singing, Teaching Methods, Cultural Awareness
Halick, Mary E. – General Music Today, 2016
Music teachers, who are working to develop students' musicianship skills, often focus on exposing students to new styles and genres of music. These initiatives encourage students to analyze, develop opinions, create, and perform music they may not normally hear. The purpose of this article is to introduce music educators to Electronic Dance Music…
Descriptors: Teaching Guides, Dance, Electronic Equipment, Music Techniques
Yoo, Hyesoo – Music Educators Journal, 2015
Before our current notation system was widely adopted by musicians, improvisation was a key component of music throughout the Western world. One of the fundamental elements of the baroque style, namely, using improvised embellishment, offered musicians great artist liberty. During the baroque period, improvisation spread across Europe and beyond.…
Descriptors: Teaching Methods, Music Education, Creativity, Music Activities
Riley, Patricia – General Music Today, 2016
It is vitally important for students to be creating music from the youngest age, and in all general music class settings. Now that the National Standards have been revised (renamed the National Core Arts Standards) and creating has been elevated to one of three artistic processes, the creative activities of composing, arranging, and improvising…
Descriptors: Music, Music Education, Music Teachers, Musical Composition
Martin, Jeffrey – International Journal of Music Education, 2012
Despite emerging efforts to teach from within authentic music making contexts, electronic music in schools generally remains detached from the practices of actual composers. Often electronic technology is regarded merely as a set of tools for learning and, as a result, many view active engagement in technology-based music making as a…
Descriptors: Music, Technology, Teaching Methods, Music Education
Jones, Shelly M.; Pearson, Dunn, Jr. – General Music Today, 2013
A musician and a mathematics educator create and implement a set of elementary school lessons integrating music and math. Students learn the basics of music theory including identifying notes and learning their fractional values. They learn about time signatures and how to determine correct note values per measure. Students are motivated by…
Descriptors: Music, Music Education, Mathematics Instruction, Music Theory
Park, Young Joo – Music Educators Journal, 2013
This article provides guidance for music teachers who want to introduce Korean folk music to their students. It introduces "Arirang"--both a specific folk song and a category--and describes three different versions: the "Miryang Arirang," the "Jindo Arirang," and the "Gyeonggi Arirang." The…
Descriptors: Music, Music Education, Singing, Folk Culture
Robinson, Nathalie G.; Bell, Cindy L.; Pogonowski, Lenore – Music Educators Journal, 2011
The creative music strategy is a dynamic and flexible seven-step model for guiding general music students through the music concepts of improvisation and composition, followed by critical reflection. These are musical behaviors that cultivate the development of our students' deeper conceptual understandings and music independence by helping them…
Descriptors: Music Education, Music, Creativity, Educational Strategies
Curriculum Review, 2008
"You must take the A Train to go to Sugar Hill way up in Harlem" trills one of Duke Ellington's foremost contributions to the American songbook. Guests at the Cotton Club in the Sugar Hill neighborhood may have had the pleasure of watching Duke Ellington and his orchestra in a tightly arranged, polished performance, but never has Ellington's…
Descriptors: Music, Musicians, Music Education, Musical Composition
Moats, Stacie; Poxon, Stephanie – Social Education, 2011
It seems each generation of young people finds new ways to express life's complex emotions and experiences through music. As a favored outlet for self-expression, music also provides future generations with a fascinating historical record. Sound recordings and sheet music of once popular songs offer unique opportunities for students to analyze…
Descriptors: Music, Primary Sources, Teaching Methods, History Instruction
Schwartz, Emily – Music Educators Journal, 2010
Music education scholars and veteran teachers often assert that composition is an essential part of a child's participation in music, but like many music educators, the author was reluctant to include it as part of her daily beginning band curriculum. Time and money were limited, and she wanted to be sure to cover all the material that beginners…
Descriptors: Musical Composition, Student Projects, Grade 6, Nonprint Media
Schroth, Stephen T.; Helfer, Jason A.; Dammers, Richard – Gifted Child Today, 2009
Many gifted children are exposed to music as listeners or performers or both. Children who are sophisticated listeners recognize the importance of and differences between the various works they hear and are knowledgeable about a sometimes large and significant repertoire. Children who are gifted performers are able to make a musical composition…
Descriptors: Music Education, Music Activities, Gifted, Educational Technology
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