In Western industrialised contexts, ecological problems such as climate change are sensed and come largely to be known through media representations. In this article, we consider "aesthetic practices" as a concept for understanding the ways in which the visual sensible world relating to climate change is continuously distributed. Furthermore, we study photography as a pedagogical means to redistribute the sensible. Our data are gathered from a photography course in which participants explored four alternative aesthetic practices: "revealing connectedness," "recognising agency," "compromising the attractions of consumerism," and "illuminating alternatives." Through their photographic explorations, participants were encouraged to intervene in two problematic consensual frameworks: human-centredness and consumption-centredness. We found that exploring aesthetic practices through photography helped redistribute the sensible in two significant ways: participants recognised visible traces of the consensual frameworks and shifted the emphasis of perception beyond their personal viewpoints.