The art room can become a canvas, covered in white paper from floor to ceiling. Doors, windows--even the sink--can play a role as a canvas. One may begin by dressing everything in white. When students get dressed in white paper clothing, watch out--they have become walking canvases ready for painting. Beyond the art room, one imagines draping…

"Growing Up as a Young Artist" is an illustrated book assignment that involves researching family scrapbooks, photo albums and films, and inquiring about family anecdotes for clues to one's artistic roots. Students creatively reflect on their early memories of imaginative events, as each page is filled with memories of creative activities they…

This article describes an art lesson that allows students to set up and collect sphere canvases. Spheres move art away from a rectangular canvas into a dimension that requires new planning and painting. From balls to many other spherical canvases that bounce, roll, float and fly, art experiences are envisioned by students. Even if adults recognize…

Children's portraits begin as a search for faces in objects, later in drawings, photos and videos. From a child's first line, trekking across a page to the circle representing a round head, young artistic life begins as a search for a portrait. Picturing oneself and the face of others is a lifelong journey. As with other creative ideas in…

As soon as they graduate from arm-length viewing in shopping-cart seats, children take off to adventure in aisles, touching just about everything. Kids will pocket fallen signs and lug unusual, empty shelves and packaging materials in hopes of taking them home. Kids recognize and compliment supermarket artists--stock clerks who create container…

A lesson led by adult ideas, rubrics and formulas, conducted in a shrine dedicated to adult artists, demonstrates that children's art does not carry much weight in the art room. Art lessons need to speak of why and how artists do what they do. Art lessons also need to express the freedoms in drawing, instead of the search for the "proper way." In…

In this article, the author describes an art-class parade. In art-class parades, students set up scores of play figures, taking charge of customizing, choreography, casting and directing everyone. They create found-object floats and use instruments to accompany their parade. They empty their trunk of flashlights to light the videotaped event.…

In school, the author sat next to Sandor the sculptor--when he was still undiscovered. He could take a pencil and, while seemingly listening in class, completely reshape the pencil by biting it. To detail his best pieces, Sandor would highlight the dents and gnashes with colored pens. Little did Sandor realize that his early efforts would be an…

The best lesson ideas often derive from childhood recollections. When brought to class, play memories and art mementos from the teacher's childhood paint a powerful homage to children's art. A survey of a child's room in the dark, or with lights on, discloses interesting hanging sites, means of attachment and unusual items drafted for hanging, all…

"Art Teaching" speaks to a new generation of art teachers in a changing society and fresh art world. Comprehensive and up-to-date, it presents fundamental theories, principles, creative approaches, and resources for art teaching in elementary through middle-school. Key sections focus on how children make art, why they make art, the unique…

The art room is the canvas, and all furnishings and objects are the art supplies. All art room surfaces and spaces can be used to communicate an art lesson. Artists in all media plan visually, and art lessons should be planned and preserved as are other works of art. As a young art teacher, the author felt it was important for his students to…

In this article, the author relates the details of a recurring dream in which he and Victor Lowenfield, the father of modern art education, walk through art rooms, followed by children eager to show them their work. The scene shifts to a school cafeteria where they discuss children and their art over milk and cookies. Amateur dream analysis…

Maintaining one's artistic self while teaching should be a principal goal of art education. The ability to harmonize one's creative powers in teaching and art making should be the foremost competence of each art teacher. (Author)

Discusses how art teachers can broaden their students' art experiences by showing them how they became personally inspired and how they followed up on their inspirations. States that art instruction must go beyond art appreciation so that students will seek out experiences which become the sources for plans and projects. (GEA)

Examines the use of an art exhibition to help students fully develop their potential as artists. Describes how students gain new insights into their work as they prepare it for exhibition. Discusses three programs which demonstrate the value of exhibitions to school children and includes pictures of student work. (GEA)