Emigres associated with Black Star Picture Agency and "Life" shared much in common: most were well-educated European Jews who became journalists after being involved in other professions and most had worked for German magazines and had emigrated to the United States to pursue their careers while escaping the Nazis. After being trained on…

Examines interpretation of Robert Frank's photographic essay (1) to discern the experiences evoked by the essay, (2) to establish the relationship between "projected" and "stated" interpretations, and (3) to determine the extent to which "stated" interpretations resemble "ideal" interpretations. (FL)

The influence of the German picture magazines and their editors and photographers on publisher Henry Luce and his staff during the early years of "Life" magazine has been overlooked. However, there is strong evidence in the Time, Incorporated, archive files indicating that the year Kurt Korff spent as a consultant to the company's newly…

Historians of photography have failed to explore the origins of the Black Star Picture Agency and how it introduced experienced photojournalists to Henry Luce, a publisher attempting to break new ground in American journalism with the introduction of a picture magazine, "Life," in 1936. Black Star's founders, Ernest Mayer, Kurt Kornfeld,…

The photographs of Margaret Bourke-White and Lewis Wickes Hine are graphic accounts of the urban industrial United States during the Depression of the 1930s. Hine was a sociologist who initially used his camera to promote social reform and is best remembered for his photographs of immigrants at Ellis Island, New York, and of children laboring in…

A two-phase study was conducted to compare individuals' perceptions of American life with their perceptions of Robert Frank's "The Americans," a book of photographs. In the first phase, a projective technique was used to elicit verbal responses about a sample of Frank's photographs. In the second phase, a representative sample of opinion…