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Sawyer, R. Keith – Cognition and Instruction, 2022
Material artifacts play an important role in many learning environments. Such artifacts can include sketches, manipulatives, 3D models, toys and games, or the scrap materials found in makerspaces. Some theorists have argued that material artifacts, even though they do not move or talk, should be considered to have autonomous agency and to interact…
Descriptors: Creativity, Creative Activities, Design, Studio Art
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Sawyer, R. Keith – Journal of the Learning Sciences, 2018
This article describes the "studio model"--a cultural model of teaching and learning found in U.S. professional schools of art and design. The studio model includes the pedagogical beliefs held by professors and the pedagogical practices they use to guide students in learning how to create. This cultural model emerged from an…
Descriptors: Art Education, Design, Studio Art, Interviews
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Sawyer, R. Keith – International Journal of Educational Research, 2008
I draw on two traditions of research: the social psychology of collaborative groups, and the ethnographic study of improvisational performance. I outline a general model of group creativity derived from these traditions. I show how the model can be used to better understand musical competence and performance, and I provide recommendations for how…
Descriptors: Music Education, Music, Ethnography, Cooperation
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Sawyer, R. Keith – Educational Researcher, 2004
Teaching has often been thought of as a creative performance. Although comparisons with performance were originally intended to emphasize teacher creativity, they have become associated instead with contemporary reform efforts toward scripted instruction that deny the creativity of teachers. Scripted instruction is opposed to constructivist,…
Descriptors: Creative Teaching, Creative Activities, Discussion (Teaching Technique), Cooperative Learning
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Sawyer, R. Keith – Psychology of Music, 2006
In this article, I focus on three defining characteristics of group creativity: improvisation, collaboration and emergence. To demonstrate these three characteristics, I present several examples of group creativity in both music and theater. Then I explore how structure and improvisation are always both present in group creativity. Improvisations…
Descriptors: Creativity, Music Education, Music, Creative Activities
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Sawyer, R. Keith – Teaching Education, 2004
Effective classroom discussion is improvisational, because its effectiveness derives from the fact that it is not scripted. Instead, the flow of the class is unpredictable, and emerges from the actions of both teachers and students. In this article, I apply principles from training classes for improvisational actors to provide practical…
Descriptors: Constructivism (Learning), Discussion, Creative Activities, Classroom Communication