The 1964-66 art education conferences were the last serious attempt to involve professional artists and educators in arts policy planning. This is a call to the art education profession to end this communication gap through a conference to examine the nature of excellence in the education of visual artists. (Author/SJL)

Reports on a three-day conference entitled "Creative Process in Education: Design for Quality Learning." Held at the University of Arizona in Tucson, the conference focused on integrating the arts into the elementary curriculum. Teaching ideas presented in workshop sessions are described. (Author/SJL)

Discusses the findings of 13 sequential studies done by Project Zero on children's sensitivity to artistic styles. Research indicated that there is a developmental sequence in artistic perception. Young children could learn to identify artistic styles but often had difficulty connecting the original paintings with small reproductions used in…

The Getty Center for Education in the Arts established the 1983 and 1984 Institutes for Educators on the Visual Arts to explore the introduction of discipline-based art programs into elementary schools. Teachers attending a summer staff development program planned programs for their own shools. The institutes are described and future plans are…

Defines aesthetic scanning, the perceptual activity that artists use when creating art and that connoisseurs use when contemplating it. Shows how to ask questions that elicit information about the sensory, formal, expressive, and technical properties of a work of art. (JDH)

The arts are in trouble in the public schools, says the author. This article is intended to clarify the kind of investigation that artists and educators are counting on to supply some support for the balanced curriculum, that is, the inclusion of the arts in public education. (Author/KC)