Maintains that the author's authentic voice as a writer is "constructed more than it is gushed." Describes how, when the author tinkers with words, when he shifts, cuts, changes, and arranges them to achieve certain effects, it isn't the writing only that he crafts: he is also crafting an identity. Notes how this applies to teaching…

Presents citations, descriptions, and critiques of two current volumes that focus on helping writers to develop better writing skills. (HB)

A teacher reports that during the process of writing a novel, he saw the creative link connecting language, image, and detail. He generated details from the images and language that preceded them. The initial envisioning often flickered erratically until he had generated enough language to place himself in a detailed scene. He has found that in…

Discusses students' experiences with learning more about the "craft of writing." Considers ways to teach students to choose their own topics; to research; to organize for writing; to welcome imagination, metaphor, and memorable language; how to draft; how to give and get helpful responses; how to revise their writing to create strong…

"Voice" is one of the least concrete elements of good writing, and yet it is also one of the most important. Helping students find a balance between the "gush" of ideas and words and the "long-thinking" of reflection and craft, Tom Romano leads students to allow themselves creative freedom while developing the patience to hone that first rush into…

This paper describes the senior honors thesis (a multigenre research paper), and narrates the process by which a senior English major at the University of New Hampshire and her project advisor worked together on this semester-long project. In the first section, the multigenre research paper is defined as a work that combines poems, monologues,…

Designed for secondary school English teachers who wish to improve their student's writing, this book offers a philosophy of writing and classroom strategies to make students comfortable with and interested in their own writing. Chapter 1 encourages teachers to set up a "safe," comfortable environment in which their students can create.…