Presents a study that investigated the effects of a course in music appreciation on attitudes of college non-music majors regarding favorite composers. Concludes that students' tendency to list composers studied in the course among their favorites may be attributable only to familiarity. Discusses the study's weaknesses and suggests future…

This study was the third in a series examining the relationships among conductors, ensembles' performances, and festival ratings. Participants (N = 51) were asked to score the quality of video-only conducting and parallel audio-only excerpts of performances at a state-level concert festival of nine bands, three each that had received ratings of…

This article presents the results of a study designed to determine and promote a precise professional vocabulary on affective response in the field of music. Includes 26 terms and a four-page listing of references, books, and periodicals used. (JDH)

Analyzes orchestral repertoire data as indications of musical taste. Collects data from 34 U.S. and Canadian symphony orchestras from 1982 through 1987. Summarizes and compares programing of 600 composers and 10,500 works. Reveals that Mozart was most frequently performed, and Beethoven was given most time. Shows relationship between student and…

Examined results of pretests and posttests given to undergraduates enrolled in a music appreciation course to analyze the changes in their musical attitudes, opinions, and knowledge. Found that students exhibited a significant gain in knowledge about musical works; however, there was no significant difference in their opinions of these same works.…