Discusses metafiction (contemporary fiction) and the new relationship between subject and reader that challenges traditional practice of point of view in fiction. Suggests ways for the interpreter to deal with the performance of metafiction. (JMF)

Presents results of a survey of practices employed in critical judgments of performed texts in oral interpretation. Outlines preferred types of evaluation forms, criteria for evaluation, and what students find most helpful in the evaluation of performance. (JMF)

Oral performance of literature can be compared with film viewing, in that both are strongly based on suggestion, which forces the spectator to participate actively in the creation of images. Film is actually a series of still pictures, but persistence of vision produces the idea of motion in the mind. Likewise, literature in performance involves…