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Norgaard, Martin – International Journal of Music Education, 2017
Research investigating improvisational skill development in adolescent learners is scant. In this study interviews with developing jazz improvisers are used to characterize the skill-building process. The findings were considered in light of two views of skill learning. In one view, students progress through several discrete levels, while in a…
Descriptors: Music, Creative Activities, Skill Development, Adolescents
Norgaard, Martin – Music Educators Journal, 2017
Improvisation is an ideal way to develop musical creativity in ensemble settings. This article describes two prominent theoretical frameworks related to improvisation. Next, based on research with developing and expert improvisers, it discusses how to sequence improvisatory activities so that students feel accomplished at every step. Finally, the…
Descriptors: Music Education, Creativity, Teaching Methods, Performance
Norgaard, Martin; Stambaugh, Laura A.; McCranie, Heston – Journal of Research in Music Education, 2019
Research investigating links between academic achievement and active music instruction has not previously differentiated between different types of instruction. In the current study, 155 seventh- and eighth-grade middle school band students were divided into two groups. Both groups received 2 months of instruction in jazz phrasing, scales, and…
Descriptors: Music, Creative Activities, Executive Function, Music Education
Shuler, Scott C.; Norgaard, Martin; Blakeslee, Michael J. – Music Educators Journal, 2014
Hundreds of educators contributed to writing and reviewing the new National Core Music Standards over two years of development. Thousands more will find their professional lives shaped by these standards over decades to come. Three individuals involved in standards development explain.
Descriptors: National Standards, Music Teachers, Music Education, Creative Activities
Norgaard, Martin – Journal of Research in Music Education, 2011
Thought processes of seven artist-level jazz musicians, each of whom recorded an improvised solo, were investigated. Immediately after completing their improvisations, participants listened to recordings of their playing and looked at the notation of their solos as they described in a directed interview the thinking processes that led to the…
Descriptors: Musicians, Males, Cognitive Processes, Music