There is no one-size-fits-all way to keep pace with the changes affecting students and those who educate them. That's why Joan Lazarus has gathered here the insights of hundreds of theater teachers and teaching artists on how they have responded to the shifting demands of theater education in today's schools. She paints a portrait of active,…

Conducts an informal inquiry into the early influences on the careers of various theatre professionals. Suggests the role of those in secondary school theatre education is to honor all students' dreams and passions. (NH)

Discusses development of the American Alliance for Theatre and Education's Think Tanks on Theatre Teacher Education. Notes the think tanks were intended to probe important issues, move to a new level of thinking, and hopefully, effect change in individual and collective practice of theatre teacher education. (SG)

Presents a summary of a study that led to the identification and profile of eight model sites for development of theater education professionals. Includes these sites: Alliance Theatre (Atlanta); Lincoln Center Institute (New York City); Metro Theatre Company (St. Louis); and Wolf Trap Institute for Early Learning through the Arts (District of…

Looks at the responsibilities of a director of young performers as an artist/educator. Maintains that production work with young people should be an extension of a theater curriculum, develop young people as artists and human beings, and be guided by individuals who understand how to teach theater as well as direct plays. (SR)

Describes the author's development of a theatre curriculum intended to reach thousands of children in the United States and around the world. Discusses how this curriculum development opportunity required that she break some of her own rules. Describes the long list of criteria the grantor required for what they fund and how she worked to fulfill…

Secondary school theatre programs in the United States range from a single class or an annual play or musical to programs with comprehensive curriculums and production seasons headed by several certified theatre teachers. Whatever the size of the program, whenever adults are engaged in dynamic educational and artistic experiences with children…