Studies perceptions of and responses to a production of Barry Kornhauser's play "This Is Not a Pipe Dream" from second, fourth, and sixth graders and adults. Finds that production styles need to be more explicit and organically tied to actions so that metaphoric themes become more recognizably visible and audible to young untrained…

To determine children's "dramatic literacy" and the modal sources of their inferences, a study interviewed 45 Kansas third graders in regard to a theater production of "Monkey, Monkey." Two-thirds of the children reported that third graders in another city would enjoy this production "a lot." A majority found the play…

Describes 45 third graders'"dramatic literacy" and the modal sources for inferences. Finds that (1) the more children used visual cues, the more they used verbal and psychological cues; and (2) inferences about the play's theme were related to aural recall of thematic dialogue and what children reported learning from the play. (SR)

Discusses the 1996 edition of Montreal's Coups de Theatre. Questions whether festival productions should be juried, what criteria should be used, and how to compare new creations against established productions. Describes various festival productions, a total of 19 productions from 6 countries. Discusses what these plays say to young people. (CR)

While several developmental models of aesthetic understanding, experience, and appreciation exist in the realms of visual art and music education, few examples have been proposed in regard to theatre, particularly for child audiences. This author argues that children gaze upon theatre in differential ways by including age as a variable…

Some parents fear that what their children learn in school theatre programs departs from family values. School theatre proponents have opened a Pandora's box by promoting theatre's potential to teach, rather than focusing solely on its aesthetic goals. Both sides in the theatre censorship controversy share the misperception that theatre causes…

A study explored perceived reality and developmental differences in viewing theater. Subjects, 33 second graders, 33 fourth graders, 23 sixth graders, and 23 college students viewed a production of "This Is Not a Pipe Dream," a non-representational play based on biographical facts about the early life and work of the surrealist painter…

First grade students (38) viewed a theater production on the theme of friendship in a study designed to determine the degree of the students' dramatic literacy. General objectives of the study were to: (1) compare children's learning from live theater with their learning from television; (2) describe what children knew about the play they saw and…