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Howard, Karen – Journal of Research in Music Education, 2018
The purpose of this ethnographic study was to examine student outcomes of a curriculum designed to address the overlapping aims and practices of music education and multicultural education ideals in a fifth-grade music class. The following questions guided the research: What are the student outcomes as a result of a traditional music curriculum…
Descriptors: Music Education, Curriculum, Grade 5, Elementary School Students
Howard, Karen – General Music Today, 2019
In order to bring music of Puerto Rico to the general music classroom, it is important to understand the sociocultural and sociohistorical context of the music. The traditional genre of plena shares cultural threads with West Africa, Spain, and indigenous (TaĆno) culture. Commonly known as "El Periodico Cantado" (the singing newspaper),…
Descriptors: Singing, Music, Music Education, Puerto Ricans
Howard, Karen – General Music Today, 2018
In recent years, there has been much criticism of multiculturalism for its failure to address the power and privilege that keep the status quo in music education. Continued support and education is needed to grow preservice, practicing, and even veteran teachers' skills in teaching and learning music genres from a broader range of music cultures.…
Descriptors: Foreign Countries, Multicultural Education, African Culture, Folk Culture
Howard, Karen – General Music Today, 2014
The concept of ngoma is present throughout Eastern and Southern Africa. Ngoma refers to the tradition of expression via music, drumming, dance, and storytelling. History, values, education, and even identity can be transmitted between generations. This article traces the experiences of a music teacher from the United States traveling and studying…
Descriptors: Foreign Countries, Music, Traditionalism, Musical Instruments