Observes that Discipline-Based Art Education (DBAE) is undergoing significant changes, including: expanded and inclusive curriculum content; art instruction integrated with other subject areas; teacher-originated curricula; and variable approaches to assessment. Suggests that changes are a response to criticisms of DBAE, and to general-education…

Instructional questions, when properly sequenced, can foster student involvement and the development of complex levels of thinking. Most questions posed in classrooms, however, elicit memory-recall responses. It is proposed that art criticism questions be formulated within the hierarchical categories of Bloom's taxonomy. Specific examples are…

Technocratic rationality emphasizes manipulation and control of variables, predictability of outcomes, and efficiency of means. Whether discipline-based art education represents an acquiescence to technocratic rationality for the sake of survival is discussed. (RM)

Art education research is examined to indicate the importance of having an adequate research base to make informed educational decisions. To examine the ways in which research proceeds from sociopolitical assumptions and, in turn, shapes perceptions of the field and guides actions, the following are discussed: (1) art education research trends;…

Introduces assumptions about instrumental outcomes in teaching art education. Argues that, through instrumental outcomes, art causes students to think in new ways and knowledge is transferred from the study of art to traditional subjects. Presents research findings and implemented programs that support relationships among art instruction,…

Provides a brief background on current developments in aesthetics and the contested concepts of three approaches to aesthetics: (1) historical philosophical aesthetics; (2) aesthetic perception and experience; and (3) aesthetic inquiry. Concludes by proposing a fourth approach based on critical theory. (Author/BSR)

Considers what discipline-based art education (DBAE) teaches through its implicit characteristics and basic assumptions. Argues that DBAE should not be evaluated in terms of any one curricular model because there are many possibilities for its presentation. States that DBAE does not need to present standardized content or limit study to artistic…

The questions that teachers ask students are often not the best types of questions for initiating an art dialog. Classroom discussions require an open atmosphere and properly constructed questions. Examples of effective and ineffective types of questions and appropriate and inappropriate teacher responses are provided. (IS)

This study examines the range of available art criticism formats, assesses the value of accompanying literature descriptions, and provides a conceptual framework for possible curriculum design. Descriptions and analyses are provided of art criticism formats presented in art education literature according to format characteristics, theoretical and…

Discusses the influence of the artist role model on art education, examining the extent to which other models are given credence. Suggests that art educators examine the limiting factors within art education so that a more inclusive approach, which would be more responsive to student needs, could be developed. (GEA)

Asserts that research and foundational deficits revealed in the literature may be contributing to the lack of consistent and widespread art criticism instruction. (JDH)

Comments on the negative aspects of discipline-based art education (DBAE), focusing on standardized instruction and testing. Criticizes the designers of DBAE for using a technocratic, rationalistic model of education. Expresses concern that DBAE evokes identical student responses, rather than the diverse outcomes that should be the goal of art…

This paper proposes that the original theory and practice of discipline based art education (DBAE) of the 1980s are undergoing significant changes, and that Neo-DBAE is emerging in the 1990s. Changes in original DBAE theory and practice of the 1980s are discussed, and reasons for such changes are proposed. Some identified changes are: more…

This article examines discipline-based art education (DBAE) issues for their origins, meanings, and implications. The issues are discussed within four general categories of conceptual structure, curriculum selections, research foundations, and organizational affiliations. (Author/JDH)

Aesthetic perception must be taught if we expect students to use it. Within a given society, the creators and viewers of art are socialized to more or less agreed upon aesthetic codes and conventions. (Author/RM)