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Rosteck, Thomas; Frentz, Thomas S. – Quarterly Journal of Speech, 2009
Contesting interpretations of "An Inconvenient Truth" that treat it as political jeremiad, autobiography, or science documentary, we contextualize the film within Joseph Campbell's monomyth and argue that its rhetorical efficacy arises in part because Al Gore's personal transformation animates the documentary footage with jeremiad advocacy. In…
Descriptors: Climate, Environmental Education, Environmental Interpretation, Documentaries
Rushing, Janice Hocker; Frentz, Thomas S. – Western Speech Communication, 1978
Develops a social value model that reveals the relationship between film and social phenomena, and political processes. The model is used to demonstrate the nature of the political context that impinges on a film, such as "Rocky," and the specific exigence to which it is a response. (JMF)
Descriptors: Cultural Context, Film Criticism, Films, Models
Rushing, Janice Hocker; Frentz, Thomas S. – 1980
A psychological/ritual model of criticism is used to examine the movie "The Deer Hunter" as a rhetorical event in which males undergo psychological change through their war and postwar experiences. The critical model depends on understanding a Jungian interpretation of the human psyche, the form and function of initiation rituals, and…
Descriptors: Film Study, Films, Literary Criticism, Models
Frentz, Thomas S. – Pre/Text: An International Journal of Rhetoric, 1988
Examines how the repressed feminine principle affects the four major discourses in Umberto Eco's "The Name of the Rose." Discusses the historical relationship between the masculine and the feminine in language and religion. Uses that historical frame to guide a close textual analysis of dialectical interplay between the masculine and the…
Descriptors: Discourse Analysis, Femininity, Literary Criticism, Masculinity

Rushing, Janice Hocker; Frentz, Thomas S. – Quarterly Journal of Speech, 1980
Analyzes "The Deer Hunter" in terms of a psychological/ritual model of criticism. Argues that the rhetorical force of the film is explained by men's participation in rituals, such as deer hunting, which affect the patterns of psychological change they experience during and after war. (JMF)
Descriptors: Characterization, Film Study, Films, Models

Rushing, Janice Hocker; Frentz, Thomas S. – Critical Studies in Mass Communication, 1989
Critiques three contemporary films, "Rocky IV,""Blade Runner," and "The Terminator." Constructs an evolving dystopian shadow myth that expresses the culture's repressed fears about its relationship to technology. Offers implications for the reinterpretation of the dystopian myth and for the conduct of other cultural…
Descriptors: Film Criticism, Films, Mass Media Effects, Mythology

Rushing, Janice Hocker; Frentz, Thomas S. – Quarterly Journal of Speech, 1991
Develops an approach to rhetorical criticism by integrating the work of Marxist literary critic Frederic Jameson with that of the depth psychologist C. G. Jung. Reconceptualizes the cultural psyche as composed of historical and universal elements, redefines the rhetorical and moral functions of narrative texts, and casts the rhetorical critic as…
Descriptors: Communication Research, Higher Education, Ideology, Moral Values

Hocker Rushing, Janice; Frentz, Thomas S. – Quarterly Journal of Speech, 1999
Expands the literature of discontent with academic scholarship by showing how malaise is grounded metaphorically in the uncritical celebration of "up" and the vilification of "down." Historicizes these metaphors through classical Greek poetry and philosophy to rediscover how flowing back and forth between Apollonian upness and…
Descriptors: Faculty Workload, Greek Literature, Higher Education, Literary Criticism
Frentz, Thomas S.; Rushing, Janice H. – 1987
Developing a theme drawn from speculative writing of the nineteenth century--that technology, like biological species, undergoes a process of evolution--this paper explores the thesis that if technology divides from its human creators and perfects itself until it gains the capacity for self replication, it cannot return to its creator. Using…
Descriptors: Characterization, Content Analysis, Discourse Analysis, Fiction