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Palese, Richard S.; Duke, Robert A. – Update: Applications of Research in Music Education, 2022
We asked school- and college-aged instrumentalists (N = 32) to imagine an ideal performance of a brief passage of music, record a performance of the passage, and describe discrepancies they noticed between their imagined and actual performances. The more experienced participants took at least as much time to imagine their idealized performances as…
Descriptors: Musical Instruments, Music Education, Music Activities, Performance
Hicken, Laura K.; Duke, Robert A. – Journal of Research in Music Education, 2023
To assess allocation of attention by music teachers with different levels of experience and expertise, we recruited five participant flautists: an artist teacher, two graduate students, and two undergraduates, all of whom observed nine brief video recordings of flute, clarinet, and saxophone players; a juggler; a baseball batter; and a ballerina.…
Descriptors: Music Teachers, Teaching Experience, Expertise, Musical Instruments
Hamilton, Lani M.; Duke, Robert A. – Journal of Research in Music Education, 2020
In two experiments we examined the extent to which musicians identify discrepancies between their intentions and their playing during individual practice. In the first experiment, 60 musicians representing four levels of skill development practiced a familiar piece from their own repertoire for 5 min while being audio recorded. They then listened…
Descriptors: Musicians, Intention, Skill Development, Drills (Practice)
Allen, Sarah E.; Duke, Robert A. – Update: Applications of Research in Music Education, 2013
During evening practice sessions, 32 nonpianist musicians learned a short melody on piano, and then either learned a second short piano melody, learned a difficult unfamiliar piece on their principal instruments, practiced familiar material on their principal instruments, or engaged in no other music-related motor behavior prior to sleep; practice…
Descriptors: Music, Music Education, Musical Instruments, Musicians
Duke, Robert A.; Cash, Carla Davis; Allen, Sarah E. – Journal of Research in Music Education, 2011
To test the extent to which learners performing a simple keyboard passage would be affected by directing their focus of attention to different aspects of their movements, 16 music majors performed a brief keyboard passage under each of four focus conditions arranged in a counterbalanced design--a total of 64 experimental sessions. As they…
Descriptors: Music Education, Music, Musical Instruments, Psychomotor Skills
Duke, Robert A.; Simmons, Amy L.; Cash, Carla Davis – Journal of Research in Music Education, 2009
We observed 17 graduate and advanced-undergraduate piano majors practicing a difficult, three-measure keyboard passage from a Shostakovich concerto. Participants' instructions were to practice until they were confident they could play the passage accurately at a prescribed tempo in a retention test session the following day. We analyzed the…
Descriptors: Instruction, Musical Instruments, Majors (Students), Undergraduate Students
Simmons, Amy L.; Duke, Robert A. – Journal of Research in Music Education, 2006
Recent research has shown that both the speed and accuracy of novel motor skills improve during sleep in a process called consolidation. Such off-line learning in the absence of practice as yet has been experimentally observed only with learners performing relatively simple tasks. In the experiment we report here, we tested whether experienced…
Descriptors: Intervals, Musical Instruments, Psychomotor Skills, Recall (Psychology)
Duke, Robert A.; Davis, Carla M. – Journal of Research in Music Education, 2006
Using two sequential key press sequences, we tested the extent to which subjects' performance on a digital piano keyboard changed between the end of training and retest on subsequent days. We found consistent, significant improvements attributable to sleep-based consolidation effects, indicating that learning continued after the cessation of…
Descriptors: College Students, Skill Development, Psychomotor Skills, Sequential Approach