As a result of decades-long dwindling arts funding sources, U.S. nonprofit dance companies struggle to emerge and be sustained. However, mutually beneficial relationships are often developed between nonprofit dance companies and educational institutions such as K-12 schools, universities, and private studios. These relationships enhance students'…

This paper argues that Liz Lerman's and Larry Lavender's approaches to mentoring student choreographers denote a shift in the philosophy of choreographic mentorship in higher education, because they reflect current concerns in critical pedagogy. My particular interest is in the relationship established between student artist and educator when a…