This article is a personal narrative of a teaching artist reaching out to persons ill, elderly, and their caregivers because of his own experiences with cancer. As a teaching artist, the author serves schools and communities as an art critic, that is, one who facilitates discussions about works of art made by the learners or by established…

This paper discusses how major breakthroughs in generating, analysing and disseminating action research about problem-based learning were made through the medium of poetry. I used poetry in three ways: as data, as an interpretive device and as a reflective medium. Poetry helped me to disseminate my research in provocative, memorable and…

In this article, the author focuses on the essential practices in guiding student dialogue about works of art. He offers ways to improve the quantity and quality of students' discussions about art, both the art that they make and that of professional artists. The article is informed by research into what philosophers of art and literature have…

This volume offers strategies for getting K-12 students to examine and discuss the works of art they and others make. Using the traditional college-level critique as a preliminary model, approaches for engaging younger learners in critical discussions are presented. A sampler of critiques offers a range of practical ideas and activities for…

Argues that studying professional art critics can provide material for studying art criticism in the classroom. Focuses on the published work of Lawrence Alloway. Describes how his work covered a wide range of artists and movements and how he was politically proactive in promoting underrepresented populations of artists. (KM)

Explores a set of principles as a guide to art interpretation in "Criticizing Art: Understanding the Contemporary." States that responding to works of art is a means to interpretation, focuses on personal and communal interpretations, and addresses the issues of multiple interpretations of artworks. Includes references. (CMK)

Explores critical activities in the visual arts and how they can enhance art appreciation. Outlines sources of criticism, different types of criticism, the varied backgrounds of art critics, and the artist-critic relationship. Maintains that, by emphasizing interpretive aspects, school art criticism can come closer to professional art criticism.…

Explores art instructors' and students' thoughts and feelings when students display their work for critical response, highlighting college art classes and offering notions of mentoring to help remedy detrimental aspects of crucial opportunities for teaching and learning. The paper concludes that ideas about mentoring can provide instructors…

Presents a metacritical examination of published essays by three professional critics of Richard Avedon's photographic exhibition, "In the American West," to determine how critics describe art work. Concludes that more comparative research is needed to bridge the gap between professional art criticism and that taught in schools. (KM)

Contends that teaching interpretation within art criticism is probably the most difficult aspect of teaching criticism. Provides suggestions and 17 principles to guide art teachers in engaging their students interpretive dialog about works of art and to provide criteria for assessing their interpretations. (CFR)