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Barrett, Margaret – Psychology of Music, 2006
The image of the composer as a lone seeker of creative inspiration is embedded in popular views of the creative artist. This isolationist view ignores the "thought communities" on which composers draw in their development as musicians, composers and teachers, the relationships that hold between composer-teacher and student-composer, and the role…
Descriptors: Music, Musicians, Cooperation, Learning Processes

Barrett, Margaret – Bulletin of the Council for Research in Music Education, 1999
Explores a tentative typology of young children's invented notations proposed in a previous study transferred across another group of musically naive kindergarteners. Extends the previous study by including notation of known and original song material. A modal dissonance was found in the children's notations of known and original songs. (CMK)
Descriptors: Child Development, Classification, Classroom Research, Higher Education
Barrett, Margaret – Journal of Aesthetic Education, 2002
In this essay, the author describes her view of the concept of the aesthetic in music education as "essentially contested" and subject to reinterpretation. She attempts to expand "traditional" notions of the aesthetic in music education beyond a view of the aesthetic transaction as "passive," focused on audience-listening for traditional…
Descriptors: Music Education, Aesthetics, Aesthetic Education, Context Effect
Barrett, Margaret – International Journal of Early Years Education, 2003
This paper examines the ways in which young children construct and negotiate musical meaning as song-makers in a post-modern consumerist musical world. A critical analysis of the presentation of music in two popular Australian children's television programmes (Play School and Hi-5) and the ways in which such media impact upon children's…
Descriptors: Criticism, Childrens Television, Music Education, Musical Composition