Ukuleles are becoming more widespread in Montessori classrooms. In this article, the authors answer questions teachers may have about having a uke in their classroom, such as: "How do I start?" "Where would I buy an instrument?" "What do I look for?" "What's it going to cost?" "How long will it…

Class piano has been a subset of piano pedagogy that has been growing in popularity since its establishment 200 years ago. The purpose of this literature review was to synthesize the research and materials related to the history of class piano and its function in (a) K-12 school settings, (b) collegiate student settings, and (c) adult student…

There are many factors that influence the ability to play with accurate intonation, and this Part 1 "Extending the Discussion" article provides background on string intonation, including the physics of intonation, the relationship between stringed instrument technique and intonation, and how students learn to play with accurate…

Bomba is an emblematic Puerto Rican musical genre that emerged 400 years ago from the colonial plantations where West African slaves and their descendants worked. It remains one of the most popular forms of folk music on the island and serves as significant evidence of its rich African heritage. This article explores the main components of bomba…

The aim of this paper is to provide physics teachers and physics students with interdisciplinary cultural and scientific related content. The "dombra" is on the one hand a cultural symbol of Kazakhstan with a long tradition. On the other hand, the dombra as a musical instrument is an object of interest in acoustics. The topic can lead to…

Research suggests that exploratory experiences in the music classroom are a crucial developmental stage as students begin making the kinds of decisions required of them during composition and improvisation. The aims of this article are to (1) articulate a rationale for exploratory learning experiences in the music classroom and (2) outline…

In this second of three in the series, we explore methods for incorporating instrumental ensembles into your music classroom. Experiences such as performing on ukulele, bucket drums, and in modern popular music ensembles are excellent ways to provide meaningful, relevant music education to students of all ages. Using both research-based…

Students come to the music classroom with varying degrees of skill, interest, and comfort toward making music, yet educators must consider how to meet the needs of all students regardless of ability. Using differentiation as a framework, we examine how participatory music making (PMM) might meet these needs. We offer strategies for implementing…

How do we motivate students to practice and persist when facing challenges inherent in learning to play an instrument? In this article, I synthesize research findings into strategies to encourage students' mastery goal orientations and intrinsic motivation. Educators can use these strategies in the classroom or as inspiration to create innovative…

Children have a natural curiosity about sound. This is particularly evident in the context of musical play. The potential of play for music learning may be overshadowed by a teacher-led and performance-focused approach to music education rather than an organic, self-initiated approach. By bringing together the child's natural curiosity about…

Students in introductory physics courses encounter harmonics when they study standing waves on strings and in pipes. The Fourier spectrum, which plots amplitude against harmonic number, can describe all periodic tones imaginable. However, most sounds are aperiodic and therefore have additional spectral components. A real-world application that…

The author, John Whitener, traveled to Mongolia, "the land of blue sky," in the summer of 2013 and again in summer of 2016. Mongolia is a land of awe-inspiring geography, similar in many respects to the wilds of Alaska. Approximately half the country's population has migrated to Ulaan-Baatar and other urban areas because of harsh winters…

Strings teaching and learning has tended to emphasize performance rather than the quality of experience for the children. School instruction has become rigid and focused on technical accuracy. Alternative teaching strategies must be pursued in order to provide a challenging yet enjoyable experience of playing and learning the bowed string…

This article describes a sequential approach to improvisation teaching that can be used with students at various age and ability levels by any educator, regardless of improvisation experience. The 2014 National Core Music Standards include improvisation as a central component in musical learning and promote instructional approaches that are…

In this article, the authors describe how integrating music with reading and writing practices stimulated transmediation to (1) honor musical students' identities, (2) deepen readers' meaning making with literature, and (3) invite writers' memories to generate emotional grist for composing poetry. The authors share examples to inspire teachers to…