This textbook aims to point out physical science teachers and others interested in experimentation the usefulness of the Magic Lantern, and especially of the Porte Lumiere, and a few other pieces of apparatus which can mostly be extemporized for physics instruction as well as art and other science instruction. Experiments are included. No attempt…

How high school students used foam to create three-dimensional forms on a large scale is described. The students made sculptures that they wore in a Mardi-Gras celebration. (RM)

The real problem with teaching character is that, in order to teach it, the teacher has to have it. Students may or may not study lessons, but they certainly study the teacher. In this article, the author points out that process is what is needed to modeled, not perfection. By living honestly in front of their students, teachers provide them with…

Why teach art? Answers generated by preservice art teachers usually suggest a range of reasons (i.e.: so that students will have knowledge about art, acquire the skills of artists, and/or gain aesthetic appreciation). It is rare when students recognize that art is also taught in order to experience something yet unknown to the teacher, whether…

Anna Mary Robertson Moses, popularly known as Grandma Moses, may be the most famous American folk artist. A fortuitous combination of original vision, innate talent, spunky character, and long life, Moses is known for her landscapes that depict nostalgic views of country life. In this article, the author describes an art activity she introduced to…

This 5-part video lesson deals with discipline-based art education in the elementary school. The video features a university professor who is a specialist in methods and the integration of art into the elementary classroom; each part of the video lesson is 30 minutes in length. First defining discipline-based art education as an approach, not a…

Most students in America can graduate from high school without ever analyzing a piece of art. Perhaps these students will take an art history or an art appreciation course in college that may incorporate a few references to literature and history. Math or science connections will most likely remain entirely absent. Why do we treat art analysis…

E-portfolios are online spaces for teachers and students to communicate, share, reflect, and collaborate inside and outside of the classroom. They have created exciting opportunities for teaching and learning worldwide. This article discusses three key factors to the popularity and wide adoption of e-portfolios: easy access, low cost, and high…

Art often becomes an effective tool for teaching history, as well as political and social justice issues. During the 1980s, the author had the privilege of visiting Chile where she was introduced to small fabric collages called "arpilleras," which, at the time, were known as "embroideries of life and death." Today, the…

This publication contains proceedings of a seminar structured around five basic themes: (1) cultural diversity in education; (2) discipline based art education (DBAE) and cultural diversity; (3) how cultural diversity has affected practices in art history, aesthetics, criticism, and art making; (4) experiences in other disciplines which effect…

There are many experiences that we have, such as eating and talking, when we don't have to be focusing on anything visual. Art educators need to help children portray the sensory aspects of such experiences and to decrease their reliance on the visual aspects of experience. (RM)

One way to increase awareness of endangered national heritage is to teach youth the importance of the land through the study of selected works of art. This article describes a lesson, in which students will study the work of Thomas Moran and create a mountain range collage. A short biography of Thomas Moran is included.

Each time John Senz starts an art lesson with tattoos, the frenzy of fun is predictable, even for staff. Senz looks forward to a busy day when he reaches for the airbrush and cosmetic paint. Students pick up the technique of airbrushing quickly and can't wait to paint designs on their skin. Although topics such as history, design, business, and…

This teacher's resource guide is designed to accompany resource packets that include fine art reproductions. The resource introduces students to the accomplishments and contributions of eight 20th century women artists: Isabel Bishop; Jenny Holzer; Kathe Kollwitz; Maya Ying Lin; Mary Ellen Mark; Maria Martinez; Alice Neel; and Faith Ringgold. This…

This article describes Pinwheels for Peace, an art and literacy project started in 2005 as a way for students to express their feelings about what is going on in the world and in their lives. Art educators, teachers, scout groups, churches, and entire cities quickly embraced the project, which is becoming a meaningful and powerful art advocacy…