The exhibition, "Cherished Possessions: A New England Legacy," consists of approximately 200 objects drawn from the Society for the Preservation of New England Antiquities collection of fine and decorative arts. Each item in the exhibition has been selected for its ability to tell a story and to place the history of that item within the…

Analyzes the art criticism of nine university art education students writing about the work of Robert Rauschenberg. Identifies the students' use or nonuse of thematic unity, intertextuality, opposition, and description. These thinking strategies are primarily found in the works of three professional art critics. (MJP)

Reports on a follow-up study to an evaluation of art museum education practices from nearly a decade ago. That report criticized museum art education as lacking intellectual rigor and training, institutional support, technical training, and vision. The up-to-date data found some significant improvement but many of the same problems. (MJP)

Presents an interesting meditation on the journey of art from private vision, appreciated by a few wealthy patrons and scholars, to the realm of public enterprise. Examines some of what has been gained and lost in this process. Provides an overview of the post World War II development of art education. (MJP)

Discusses the educational restructuring movement in Australia and places it in the context of past educational reforms. Educational restructuring is defined as a national curriculum framework with a common set of national goals and a curriculum streamlined into eight key learning areas. The arts is one of those areas. (MJP)

Examines how a discipline-based approach to multicultural art augments multicultural education. Focuses on Native American arts. Illustrates how symbols, colors, natural materials, and methods differ among tribes. Suggests teaching activities, including focusing on a particular artist to raise specific questions about specific symbols. Profiles…

Describes how an elementary classroom teacher discovers and explores the power of aesthetic experience in an educational context. Discusses how the artwork of Vincent Van Gogh helps an exceptionally difficult class of 11-year-old female students in suburban Dublin, Ireland, become interested in their education. (KM)

Describes how the art program in Kosciuszko Middle School, Milwaukee, Wisconsin has developed, with an emphasis on multicultural students' needs. Uses a hands-on integrated approach to learning about art and artists, and makes art relevant to students' lives. Describes teaching strategies, art facilities, the aesthetic environment, and curriculum…

States that art is a primary means of communication at the Rhode Island School for the Deaf and that it plays a central role in the school's K-12 curriculum. Community involvement is a fundamental idea and the school has produced many murals for the community and state. Art is used to enhance learning in all subjects. (GG)

Emphasizes the need to improve the quality and quantity of arts education programing in public schools. Suggests ways to improve preservice and inservice teacher programs in the collaborative arts. Existing programs stress that the arts are interrelated components with many possibilities for collaboration. Institutions with interdisciplinary arts…

Describes a fifth grade social studies unit on ancient civilizations that includes a comprehensive history of ancient Egypt, Rome, and Greece and integrates studio art, art history, library science, social studies, and computer literacy programs. Students utilize the library to do research and develop an oral presentation while also working on…

Maintains that the computer is a new tool to link the concepts of information and art together. Asserts that electronic tools have a hidden point of view that is more complex than that included in a brush, printing press, or a camera. Concludes that there may be a move toward a reunion of art and science and of process and product. (CFR)

Reports on a qualitative study of complex, sophisticated thinking among 50 preservice art teachers taking an art criticism course. Maintains that the conversational model of instruction helped students understand the higher-order thinking skills associated with art criticism. (CFR)

Argues that for arts education to compete for scarce resources, it helps prepare youth for the workplace. Describes a variety of arts education programs related to vocational educational and career planning. Concludes that this approach is intended to supplement, not diminish, the argument for arts education in the schools. (CFR)

Discusses issues related to federal funding of school arts programs. Outlines the role of art in a democratic society. Concludes that arts cannot be taught and teachers should encourage students to create and accept unique art forms. (CFR)