The sense of efficaciousness for engaging diverse learners was examined with twenty-four pre-service teachers concurrently enrolled in a junior-level Creative Arts methods course and a field experience course with placements in K-2 general education classrooms. The pre-service teachers participated in music and literacy activities in their…

Photographic editing technology has led to a popular style among artists: digitally manipulated photographs. The manipulations include composites, syntheses, as well as alterations of color, shape, composition, and perspective. These manipulated photographs carry impressive effects and shock value, but more importantly, they communicate…

Our three-year inquiry at the Gulf Islands Film and Television School (GIFTS), a community-based media arts educational center, presents a practical model illustrating how urban youth explore their own strengths and connect themselves to a learning space in a rural environment within the context of filmmaking. It also offers pedagogical insights…

Art education is an interdisciplinary field in the sense that it requires a mix of studio practice with theory and academic-style learning. Teachers teach philosophy and theory drawn from psychology, social sciences, history, and the humanities. Helping students be successful readers, writers, speakers, and test-takers are goals shared with those…

In K-12 classrooms, as well as on the college and university level, the incorporation of digital games has played a vital role in the educational system. While introducing teachers to new fields, these digital games have been designed and implemented for the classroom and have shown positive results at a variety of educational levels. Cases on…

Why teach art? Answers generated by preservice art teachers usually suggest a range of reasons (i.e.: so that students will have knowledge about art, acquire the skills of artists, and/or gain aesthetic appreciation). It is rare when students recognize that art is also taught in order to experience something yet unknown to the teacher, whether…

Scrounging, cooperation, and resourcefulness have made pottery the most popular--and the most visible--art class in a Missouri high school. The pottery course is described. (RM)

This document describes a study to assess the change in students' responses toward the visual arts as a result of their participation in an entrance level art course. The course was structured to provide the students with an understanding of art skills, a recognition of excellence in art objects, and knowledge of diversity of delivery through…

This study explores the relationship between art object preferences and aesthetic attitudes of high school students. A corollary variable was socioeconomic status as determined by the National Opinion Research Center scale. A sample of 443 students, grades 8-12, in a Virginia high school, were studied. The 5-point Aesthetic Attitude Scale was used…

Looks at the impact of the classroom environment on student emotions and behavior, offering suggestions for using the physical features of the environment to calm or stimulate students. Shows how the factors of environmental arousal, classroom robustness, and spatial settings may be used to create art classrooms that minimize chances for…

Cites examples of students refusing to do coursework because of religious beliefs. Outlines a method in which students are encouraged to examine their beliefs to illuminate their objections to coursework. Maintains that teachers should resist efforts of individuals who attempt to shield themselves and others from general knowledge and ideas. (KM)

This paper presents research using a computer with a video disk player to do aesthetic analysis of the work of Vincent Van Gogh. A discussion of the video disk system, and of several software systems including: (1) Dr. Halo, (2) Handy, (3) PC-Paint, and (4) Pilot are outlined. Several possible uses of the computer with interactive video disks for…

Identifies the potential roles of art teachers, urban planners, and community groups in education programs that enable students to understand the built environment. Proposes a new branch of art education that stresses knowledge of the social and political context in which built environments are formed. Stresses the shaping of student…

Discusses problems in the teaching of art history to art students. Reports on a study in which student analysis and categorization of their own paintings and paintings of other artists became the primary activity of an art history course. Concludes that this approach enhances the use of art history as a source for students' own creative work. (CFR)

Reviews research on the relationship between self-directed learning and selected demographic predictors. Concludes that student age may be an important determinant of success at the college level but is not significant in postsecondary art education programs. Finds that education level is a more accurate predictor among older adults. (CFR)